LEADER 00000cam  22004937u 4500 
001    on1127126859 
003    OCoLC 
005    20200417062759.1 
006    m     o  d         
007    cr cnu---unuuu 
008    191109s2019    enk     o     000 0 eng d 
020    9781350051362|q(electronic book) 
020    1350051365 
035    (OCoLC)1127126859 
040    EBLCP|beng|epn|cEBLCP|dBLOOM|dOCLCO|dOCLCF|dN$T|dOCLCQ 
043    e-uk-en 
049    STJJ 
050  4 PN2589|b.R48 2020eb 
082 04 792.094209031 
100 1  Stern, Tiffany. 
245 10 Rethinking Theatrical Documents in Shakespeare's England. 
264  1 London :|bBloomsbury Publishing Plc,|c2019. 
300    1 online resource (305 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
505 0  Introduction -- Part One: Documents Before Performance. 1.
       Writing a Play with Robert Daborne: Lucy Munro. 2. A 
       Sharers' Repertory: Holger Syme. 3. Parts and the 
       Playscript: Seven Questions: James J. Marino. 4. 
       Undocumented: Improvisation, Rehearsal and the Clown: 
       Richard Preiss -- Part Two: Documents of Performance. 5. 
       'Rethinking Prologues on Page and Stage': Sonia Massai and
       Heidi Craig. 6. Title-and Scene-Boards: The Largest, 
       Shortest Documents: Matt Steggle. 7. 'What is a staged 
       book? Books as 'Actors' in the Early Modern English 
       Theatre' -- Part Three: Documents After Performance. 8. 
       Flowers for English Speaking: Play Extracts and 
       Conversation: András Kiséry. 9. Shakespearean Extracts and
       the Misrepresentation of the Archive: Laura Estill. 10. 
       Typography After Performance: Claire M.L. Bourne. 11. 
       Shakespeare the Balladmonger: Tiffany Stern -- Part Four: 
       Documents Beyond Performance. 12. Lost Documents, Absent 
       Documents, Forged Documents: Roslyn Knutson and David 
       McInnis. 13. Afterward: Peter Holland. 
520    Rethinking Theatrical Documents brings together fifteen 
       major scholars to analyse and theorise the documents, lost
       and found, that produced a play in Shakespeare's England. 
       Showing how the playhouse frantically generated paratexts,
       it explores a rich variety of entangled documents, some 
       known and some unknown: from before the play (drafts, 
       casting lists, actors' parts); during the play (prologues,
       epilogues, title-boards); and after the play (playbooks, 
       commonplace snippets, ballads) - though 'before', 'during'
       and 'after' intertwine in fascinating ways. By using 
       collective intervention to rethink both theatre history 
       and book history, it provides new ways of understanding 
       plays critically, interpretatively, editorially, 
       practically and textually. 
588 0  Print version record. 
590    Bloomsbury Publishing|bBloomsbury Open Access 
648  7 1500-1699|2fast 
650  0 Theater|zEngland|xHistory|y16th century|xSources. 
650  0 Theater|zEngland|xHistory|y16th century. 
650  0 Theater|zEngland|xHistory|y17th century|xSources. 
650  0 Theater|zEngland|xHistory|y17th century. 
650  7 Theater.|2fast|0(OCoLC)fst01149217 
651  7 England.|2fast|0(OCoLC)fst01219920 
655  7 History.|2fast|0(OCoLC)fst01411628 
655  7 Sources.|2fast|0(OCoLC)fst01423900 
776 08 |iPrint version:|aStern, Tiffany.|tRethinking Theatrical 
       Documents in Shakespeare's England.|dLondon : Bloomsbury 
       Publishing Plc, ©2019|z9781350051348 
914    on1127126859 
994    92|bSTJ