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LEADER 00000cam  2200529Ii 4500 
001    on1021172467 
003    OCoLC 
005    20180209071925.6 
006    m     o  d         
007    cr cnu|||unuuu 
008    180201s2018    nju     ob    001 0 eng d 
020    9780813592152|q(electronic bk.) 
020    0813592151|q(electronic bk.) 
020    9780813592176|q(electronic bk.) 
020    0813592178|q(electronic bk.) 
020    |z9780813592145 
035    (OCoLC)1021172467 
037    22573/ctt1v5nq73|bJSTOR 
040    N$T|beng|erda|epn|cN$T|dJSTOR|dP@U|dN$T|dCUS 
049    CKEA 
050  4 HV6322.7|b.S63 2018eb 
082 04 364.151074|223 
100 1  Sodaro, Amy,|d1975-|eauthor. 
245 10 Exhibiting atrocity :|bmemorial museums and the politics 
       of past violence /|cAmy Sodaro. 
264  1 New Brunswick :|bRutgers University Press,|c[2018] 
264  4 |c©2018 
300    1 online resource 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references and index. 
505 0  1. Memorial museums : the emergence of a new form -- 2. 
       The United States Holocaust Memorial Museum : the creation
       of a "living memorial" -- 3. The House of Terror : "the 
       only one of its kind" -- 4. The Kigali Genocide Memorial 
       Centre : building a "lasting peace" -- 5. The Museum of 
       Memory and Human Rights : "a living museum for Chile's 
       memory" -- 6. The National September 11 Memorial Museum : 
       "to bear solemn witness" -- 7. Memorial museums : promises
       and limits. 
520    Today, nearly any group or nation with violence in its 
       past has constructed or is planning a memorial museum as a
       mechanism for confronting past trauma, often together with
       truth commissions, trials, and/or other symbolic or 
       material reparations. Exhibiting Atrocity documents the 
       emergence of the memorial museum as a new cultural form of
       commemoration, and analyzes its use in efforts to come to 
       terms with past political violence and to promote 
       democracy and human rights. Through a global comparative 
       approach, Amy Sodaro uses in-depth case studies of five 
       exemplary memorial museums that commemorate a range of 
       violent pasts and allow for a chronological and global 
       examination of the trend: the U.S. Holocaust Memorial 
       Museum in Washington, DC; the House of Terror in Budapest,
       Hungary; the Kigali Genocide Memorial Centre in Rwanda; 
       the Museum of Memory and Human Rights in Santiago, Chile; 
       and the National September 11 Memorial Museum in New York.
       Together, these case studies illustrate the historical 
       emergence and global spread of the memorial museum and 
       show how this new cultural form of commemoration is 
       intended to be used in contemporary societies around the 
       world. 
588 0  Description based on online resource; title from PDF title
       page (EBSCO, viewed February 8, 2018). 
610 20 United States Holocaust Memorial Museum. 
610 20 Terror Háza Múzeum. 
610 20 Kigali Memorial Centre. 
650  0 Genocide|xMuseums. 
650  0 Political atrocities|xMuseums. 
650  0 Crimes against humanity|xMuseums. 
650  0 Collective memory. 
650  7 SOCIAL SCIENCE / Criminology.|2bisacsh 
914    on1021172467 
994    92|bCKE 
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