LEADER 00000cam 2200445Ii 4500 001 ocn213393370 003 OCoLC 005 20160518075111.6 006 m o d 007 cr cnu---unuuu 008 080314s2008 enk ob 001 0 eng d 019 476246585|a519398210|a815567842|a819500988|a821618580 020 9780198043805|q(electronic bk.) 020 0198043805|q(electronic bk.) 035 (OCoLC)213393370|z(OCoLC)476246585|z(OCoLC)519398210 |z(OCoLC)815567842|z(OCoLC)819500988|z(OCoLC)821618580 040 N$T|beng|epn|erda|cN$T|dYDXCP|dOCLCQ|dIDEBK|dOCLCQ|dMERUC |dOCLCQ|dEBLCP|dMHW|dP4I|dOCLCQ 049 GTKE 050 4 ML3830|b.K7295 2008eb 082 04 781.1/7|222 100 1 Kramer, Richard,|d1938- 245 10 Unfinished music /|cRichard Kramer. 264 1 Oxford ;|aNew York :|bOxford University Press,|c2008. 300 1 online resource (1 volume) 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 505 0 First things -- Emanuel Bach and the allure of the irrational -- Between enlightenment and romance -- Beethoven : confronting the past -- Fragments -- Death masks. 520 Preface. I: First Things. 1. Language and the Beginnings of Creation. Preamble. A Rhetoric of Sonata. Sketches and the Improvisatoyr. Fragments/Patrimonies. II: Emanuel Bach and the Allure of the Irrational. 2. Carl Philip Emanuel Bach and the Aesthetics of Patricide. 3. The Ends of Veranderung. 4. Late Works. Kenner and Liebhaber. A Last Sonata. 5. Probestuck. 6. Diderot's Paradoxe and Emanuel Bach's Empfindungen. III: Between Enlightenment and Romance. 7. Haydn's Chaos and Herder's Logos. 8. Beethoven and the Romance of Creation. Beethoven's Sketches and Shakespeare's Lovers. Sketching the I. 588 0 Print version record. 650 0 Music|xPsychological aspects. 650 0 Music|xPhilosophy and aesthetics. 650 0 Composition (Music)|xPsychological aspects. 650 0 Music. 650 0 Composition (Music) 650 7 MUSIC|xInstruction & Study|xAppreciation.|2bisacsh 776 08 |iPrint version:|aKramer, Richard, 1938-|tUnfinished music.|dOxford ; New York : Oxford University Press, 2008 |z9780195326826|z0195326822|w(DLC) 2007009450 |w(OCoLC)85862251 914 ocn213393370 994 93|bGTK
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