LEADER 00000nam  2200721Ki 4500 
001    on1273728675 
003    OCoLC 
005    20211020213017.0 
006    m     o  d         
007    cr cnu---unuuu 
008    211007s2021    nyu     ob    001 0 eng d 
020    9781003195702|q(electronic book) 
020    1003195709|q(electronic book) 
020    9781000450811|q(electronic book : EPUB) 
020    1000450813|q(electronic book : EPUB) 
020    9781000450774|q(electronic book : PDF) 
020    1000450775|q(electronic book : PDF) 
035    (OCoLC)1273728675 
037    9781003195702|bTaylor & Francis 
040    TYFRS|beng|erda|epn|cTYFRS|dYDX 
043    s-ck--- 
049    STJJ 
050  4 P96.C657|bH47 2021eb 
082 04 303.230861|223 
100 1  Herrero-Olaizola, Alejandro,|eauthor. 
245 10 Commodifying violence in literature and on screen :|bthe 
       Colombian condition /|cAlejandro Herrero-Olaizola. 
264  1 New York :|bRoutledge,|c2021. 
300    1 online resource (volumes cm.) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 0  Routledge interdisciplinary perspectives on literature 
504    Includes bibliographical references and index. 
505 0  Introduction: the Colombian condition -- Narco-stories 
       globalized: Pablo Escobar and excess consumption -- The 
       Ingrid Betancourt story: memory in the times of mass media
       -- The travelogue boom: dark exoticism for global 
       consumption -- Affective visuality: the cinema of conflict
       and reconciliation -- Epilogue: post-conflict Colombia? 
520    "Through an exploration of the cultural processes that 
       perpetuate the "darker side" of Latin America for global 
       consumption, this book investigates the "condition" that 
       has led writers, filmmakers, and artists to embrace 
       (purposefully or not) the incessant violence in Colombian 
       society as the object of their own creative endeavors"--
       |cProvided by publisher. 
545 0  Alejandro Herrero-Olaizola is Arthur F. Thurnau Professor 
       of Spanish and Latin American Studies at the University of
       Michigan, Ann Arbor. He is the author of The Censorship 
       Files: Latin American Writers and Franco's Spain (2007) 
       andNarrativas híbridas: parodia y posmodernismo en la 
       ficción contemporǹea de las Américas (2000), and co-editor
       of Market Matters (Arizona Journal of Hispanic Cultural 
       Studies), Teaching the Latin American Boom (2015), and 
       Territories of Conflict: Traversing Colombia Through 
       Cultural Studies (2017). His articles have appeared in 
       Symposium, Revista Crítica de Literatura Latinoamericana, 
       Hispanófila, MLN, and Hispanic Review. Currently, he is 
       the Editor of Revista de Estudios Colombianos. His 
       research has been supported by the NEH, ACLS, and 
       Fulbright fellowships. 
588 0  Print version record. 
650  0 Violence in mass media. 
650  7 LITERARY CRITICISM / Caribbean & Latin American.|2bisacsh 
650  7 SOCIAL SCIENCE / Popular Culture.|2bisacsh 
650  7 SOCIAL SCIENCE / Media Studies.|2bisacsh 
650  7 Civilization.|2fast|0(OCoLC)fst00862898 
650  7 Mass media.|2fast|0(OCoLC)fst01011219 
650  7 Public opinion.|2fast|0(OCoLC)fst01082785 
650  7 Violence in mass media.|2fast|0(OCoLC)fst01167284 
651  0 Colombia|xIn mass media. 
651  0 Colombia|xForeign public opinion. 
651  0 Colombia|xCivilization. 
651  7 Colombia.|2fast|0(OCoLC)fst01205916 
776 08 |iPrint version:|aHerrero-Olaizola, Alejandro.
       |tCommodifying violence in literature and on screen.|dNew 
       York : Routledge, 2021|z9780367459659|w(DLC)  2021014792
       |w(OCoLC)1246285497 
914    on1273728675 
994    92|bSTJ