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LEADER 00000cam  2200601Ii 4500 
001    ocn908073129 
003    OCoLC 
005    20160608024817.0 
006    m     o  d         
007    cr |||||||nn|n 
008    150421r20152015be ag   ob    001 0 eng d 
019    908073465|a915340486|a919518766 
020    9789461661739 
020    9461661738 
035    (OCoLC)908073129|z(OCoLC)908073465|z(OCoLC)915340486
037    22573/ctt14d7mrz|bJSTOR 
040    P@U|beng|erda|cP@U|dOCLCO|dE7B|dYDXCP|dEBLCP|dJSTOR|dCOO
049    STJJ 
050  4 ML444|b.W483 2015e 
072  7 MUS041000|2bisacsh 
082 04 781.2 
245 00 What is a cadence? :|bTheoretical and analytical 
       perspectives on cadences in the classical repertoire /
       |cMarkus Neuwirth and Pieter Bergé (eds). 
264  1 Leuven, Belgium :|bLeuven Univerisity Press,|c[2015] 
300    1 online resource (346 pages) :|billustrations, music 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
500    Issued as part of UPCC book collections on Project MUSE. 
504    Includes bibliographical references and index. 
505 0  Introduction: What Is a Cadence? Nine perspectives / 
       Markus Neuwirth and Pieter Bergé -- Harmony and Cadence in
       Gjerdingen's "Prinner" / William E. Caplin -- Beyond 
       'Harmony': The Cadence in the Partitura Tradition / Felix 
       Diergarten -- The Half Cadence and Related Analytic 
       Fictions / Poundie Burstein -- Fuggir la Cadenza, or The 
       Art of Avoiding Cadential Closure: Physiognomy and 
       Functions of Deceptive Cadences in the Classical 
       Repertoire / Markus Neuwirth -- The Mystery of the 
       Cadential Six-Four / Danuta Mirka -- The Mozartean Half 
       Cadence / Nathan John Martin and Julie Pedneault-
       Deslauriers -- "Hauptruhepuncte des Geistes": Punctuation 
       Schemas and the Late-Eighteenth-Century Sonata / Vasili 
       Byros -- The Perception of Cadential Closure / David Sears
       -- Towards a Syntax of the Classical Cadence / Martin 
       Rohrmeier and Markus Neuwirth. 
520    The concept of closure is crucial to understanding music 
       from the "classical" style. This volume focuses on the 
       primary means of achieving closure in tonal music: the 
       cadence. Written by leading North American and European 
       scholars, the nine essays assembled in this volume seek to
       account for the great variety and complexity inherent in 
       the cadence by approaching it from different 
       (sub)disciplinary angles, including music-analytical, 
       theoretical, historical, psychological (experimental), as 
       well as linguistic. Each of these essays challenges, in 
       one way or another, our common notion of cadence. 
       Controversial viewpoints between the essays are 
       highlighted by numerous cross-references. Given the 
       ubiquity of cadences in tonal music in general, this 
       volume is aimed not only at a broad portion of the 
       academic community, scholars and students alike, but also 
       at music performers. 
588 0  Online resource; title from e-book title screen (JSTOR 
       platform, viewed September 15, 2015). 
650  0 Cadences (Music)|xHistory and criticism. 
650  0 Composition (Music) 
650  0 Music theory. 
650  0 Tonal music. 
650  7 MUSIC / Instruction & Study / Theory.|2bisacsh 
650  7 Cadences (Music)|2fast|0(OCoLC)fst00843755 
655  0 Electronic books. 
655  7 Electronic books.|2local 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
700 1  Bergé, Pieter,|eeditor. 
700 1  Neuwirth, Markus,|d1982-|eeditor. 
710 2  Project Muse,|edistributor. 
710 2  Project Muse. 
776 08 |iPrint version:|z9789462700154|w(OCoLC)895621839 
776 08 |iPrint version:|z9789462700154|w(OCoLC)918304119 
830  0 UPCC book collections on Project MUSE. 
994    C0|bSTJ 
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