Includes bibliographical references (pages 279-283) and index.
Contents
Peculiarly Fitted to Art -- Domesticating Professional Art -- Figures and Fig Leaves -- Sculpting Butter: Gender Separatism and the Professional Ideal -- Portrait of the Artist as a New Woman -- Making the Modern Woman Artist.
Summary
This engaging cultural history examines the emergence of a professional identity for American women artists. By focusing on individual sculptors, painters, and illustrators, Laura Prieto gives us a compelling picture of the prospects and constraints faced by women artists in the United States from the late eighteenth century through the 1930s.