LEADER 00000cam  2200565Ki 4500 
001    ocn873808742 
003    OCoLC 
005    20160518075324.8 
006    m     o  d         
007    cr cnu---unuuu 
008    140318s2011    be ag   ob    000 0 eng d 
019    876671487 
020    9789461661234|q(electronic bk.) 
020    9461661231|q(electronic bk.) 
035    (OCoLC)873808742|z(OCoLC)876671487 
040    N$T|beng|erda|epn|cN$T|dOCLCO|dYDXCP|dE7B|dOCLCO|dEBLCP
       |dNLGGC|dOCLCQ|dOCLCA|dP@U|dJSTOR|dOCLCQ 
049    GTKE 
050  4 MT170|b.P71 2011eb 
082 04 780|222 
245 04 The practice of practising /|cAlessandro Cervino [and 
       others]. 
264  1 Leuven :|bLeuven University Press,|c[2011] 
264  4 |c©2011 
300    1 online resource (91 pages) :|billustrations, music. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Collected writings of the Orpheus Institute. Subseries 
       Orpheus Research Centre in Music ;|v04 
504    Includes bibliographical references. 
505 00 |tA self-study of learning the prelude from Bach's Suite 
       numbers 6 for cello solo : comparing words and actions /
       |rTania Lisboa, Roger Chaffin, Topher Logan --|tPeformer's
       harmony : towards a performance of Elliott Carter's Piano 
       sonata /|rAlessandro Cervino --|tMorton Feldman's late 
       piano music : experimentalism in practice /|rCatherine 
       Laws --|tAlfred Schnittke's Piano trio : learning and 
       performing /|rMaria Lettberg. 
520 8  The process of practising is intrinsic to musical 
       creativity. Practising may primarily be thought of as 
       technical, but it is often also musically meaningful, 
       including elements of interpretation, improvisation, and/
       or composition. The practice room can be a space in which 
       to explore a field of creative possibilities; a place to 
       experiment and to refine ideas. "The practice of 
       practising" is primarily concerned with considering 
       practising as a practice in itself: a collection of 
       processes that determines musical creativity and 
       significance. The volume comprises four diverse case 
       studies, in relation to music by J.S. Bach, Elliott Carter,
       Alfred Schnittke, and Morton Feldman, presenting both solo
       and ensemble perspectives. 
588 0  Print version record. 
600 10 Bach, Johann Sebastian,|d1685-1750.|tSuites,|mcello,|nBWV 
       1012,|rD major. 
600 10 Carter, Elliott,|d1908-2012.|tSonatas,|mpiano. 
600 10 Feldman, Morton,|d1926-1987.|tPiano music. 
600 10 Schnittke, Alfred,|d1934-1998.|tTrio,|mviolin, viola, 
       cello;|oarranged. 
600 10 Bach, Johann Sebastian,|d1685-1750. 
600 10 Carter, Elliott,|d1908-2012. 
600 10 Feldman, Morton,|d1926-1987. 
600 10 Schnittke, Alfred,|d1934-1998. 
650  0 Practicing (Music) 
650  7 MUSIC|xGenres & Styles|xClassical.|2bisacsh 
650  7 MUSIC|xReference.|2bisacsh 
650  7 MUSIC|xInstruction & Study|xTheory.|2bisacsh 
700 1  Cervino, Alessandro. 
776 08 |iPrint version:|tPractice of practising|z9789058678485
       |w(DLC)  2011531883|w(OCoLC)676870354 
830  0 Collected writings of the Orpheus Institute.|pSubseries 
       Orpheus Research Centre in Music ;|v04. 
914    ocn873808742 
994    93|bGTK