LEADER 00000cam 22005778i 4500 001 ocn957656325 003 OCoLC 005 20170109192136.0 008 160829t20172017nyu 000 0ceng 010 2016024580 020 9781501134579|q(paperback) 020 1501134574|q(paperback) 035 (OCoLC)957656325 037 |bSimon & Schuster, Order Dept 100 Front st, Riverside, NJ, USA, 08075|nSAN 200-2442 040 DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dOCLCO|dJAS|dIH9|dNYP |dWHP 042 pcc 043 n-us--- 049 WHPP 050 00 PN101.S33 2017 082 00 808.02023|223 084 LCO010000|aLAN027000|aBIO007000|2bisacsh 245 00 Scratch :|bwriters, money, and the art of making a living /|cedited by Manjula Martin. 246 30 Writers, money, and the art of making a living 250 First Simon & Schuster trade paperback edition. 264 1 New York :|bSimon & Schuster,|c2017. 264 4 |c©2017 300 xv, 287 pages ;|c22 cm 336 text|btxt|2rdacontent 337 unmediated|bn|2rdamedia 338 volume|bnc|2rdacarrier 520 Collects interviews and essays from contemporary authors on the financial realities of the writing world. 520 "A collection of essays from today's most acclaimed authors--from Cheryl Strayed to Roxane Gay to Jennifer Weiner, Alexander Chee, Nick Hornby, and Jonathan Franzen- -on the realities of making a living in the writing world. In the literary world, the debate around writing and commerce often begs us to take sides: either writers should be paid for everything they do or writers should just pay their dues and count themselves lucky to be published. You should never quit your day job, but your ultimate goal should be to quit your day job. It's an endless, confusing, and often controversial conversation that, despite our bare-it-all culture, still remains taboo. In Scratch, Manjula Martin has gathered interviews and essays from established and rising authors to confront the age-old question: how do creative people make money? As contributors including Jonathan Franzen, Cheryl Strayed, Roxane Gay, Nick Hornby, Susan Orlean, Alexander Chee, Daniel Jose Older, Jennifer Weiner, and Yiyun Li candidly and emotionally discuss money, MFA programs, teaching fellowships, finally getting published, and what success really means to them, Scratch honestly addresses the tensions between writing and money, work and life, literature and commerce. The result is an entertaining and inspiring book that helps readers and writers understand what it's really like to make art in a world that runs on money--and why it matters. Essential reading for aspiring and experienced writers, and for anyone interested in the future of literature, Scratch is the perfect bookshelf companion to On Writing, Never Can Say Goodbye, and MFA vs. NYC"--|cProvided by publisher. 648 7 2000-2099|2fast 650 0 Authorship. 650 0 Authors and publishers. 650 0 Authorship|xMarketing. 650 0 Authorship|xVocational guidance. 650 0 Arts|xEconomic aspects. 650 0 Authors, American|y21st century|vBiography|vAnecdotes. 650 0 Work|xPsychological aspects. 650 0 Self-realization. 650 7 Arts|xEconomic aspects.|2fast|0(OCoLC)fst00817743 650 7 Authors, American.|2fast|0(OCoLC)fst00821764 650 7 Authors and publishers.|2fast|0(OCoLC)fst00821733 650 7 Authorship.|2fast|0(OCoLC)fst00822442 650 7 Authorship|xMarketing.|2fast|0(OCoLC)fst00822460 650 7 Authorship|xVocational guidance.|2fast|0(OCoLC)fst00822481 650 7 Self-realization.|2fast|0(OCoLC)fst01111892 650 7 Work|xPsychological aspects.|2fast|0(OCoLC)fst01180203 655 7 Biography|vAnecdotes.|2fast|0(OCoLC)fst01423690 700 1 Martin, Manjula,|eeditor. 914 MID.b25018565 914 FARM242045 994 C0|bWHP
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