LEADER 00000cam  2200817Ii 4500 
001    ocn875674633 
003    OCoLC 
005    20170704064252.6 
006    m     o  d         
007    cr mn||||||||| 
008    140404s2013    enka    ob    001 0 eng d 
019    880518594|a960277178|a961154472|a967054769|a967760807 
020    9781847798916|q(electronic bk.) 
020    1847798918|q(electronic bk.) 
020    9781526103277|q(electronic bk.) 
020    1526103273|q(electronic bk.) 
020    |z9780719084973 (hardback) 
020    |z0719084970 (hardback) 
035    (OCoLC)875674633|z(OCoLC)880518594|z(OCoLC)960277178
       |z(OCoLC)961154472|z(OCoLC)967054769|z(OCoLC)967760807 
037    22573/ctt18mtf2t|bJSTOR 
040    OSU|beng|erda|epn|cOSU|dCUS|dDEBBG|dWAU|dIL4I4|dOCLCO|dRDF
       |dNAM|dYDXCP|dJSTOR|dOCLCO|dCOO|dAUD|dOCLCF|dRRP|dOCLCO
       |dOCL|dOCLCO|dN$T 
043    e-uk-en 
049    CKEA 
050  4 PR651|b.P67 2013eb 
082 04 822.309|223 
084    HI 1250|2rvk 
084    HK 1210|2rvk 
100 1  Porter, Chloe,|eauthor. 
245 10 Making and unmaking in early modern English drama :
       |bspectators, aesthetics and incompletion /|cChloe Porter.
264  1 Manchester :|bManchester University Press,|c2013. 
264  2 New York, NY :|bPalgrave Macmillan,|c[2013] 
300    1 online resource (viii, 230 pages) :|billustrations 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references (pages [202]-226) and 
       index. 
505 00 |gIntroduction: speaking pictures? --|g1.|tEarly modern 
       English drama and visual culture --|g2.|t'In the keeping 
       of Paulina': the unknowable image in "The Winter's Tale" -
       -|g3.|t'But begun for others to end': the ends of 
       incompletion --|g4.|t'The brazen head lies broken': divine
       destruction in "Friar Bacon and Friar Bungay" --|g5.
       |tGoing unseen: invisibility and erasure in "The Two Merry
       Milkmaids" 
520 8  Why are early modern English dramatists preoccupied with 
       unfinished processes of "making" and "unmaking"? And what 
       did the terms "finished" or "incomplete" mean for 
       dramatists and their audiences in this period? Making and 
       unmaking in early modern English drama is about the 
       significance of visual things that are 'under 
       construction' in works by playwrights including 
       Shakespeare, Robert Greene and John Lyly. Illustrated with
       examples from across visual and material culture, it opens
       up new interpretations of the place of aesthetic form in 
       the early modern imagination. Plays are explored as a part
       of a lively post-Reformation visual culture, alongside a 
       diverse range of contexts and themes, including iconoclasm,
       painting, sculpture, clothing and jewellery, automata and 
       invisibility. Asking what it meant for Shakespeare and his
       contemporaries to "begin" or "end" a literary or visual 
       work, this book is essential reading for scholars and 
       students of early modern English drama, literature, visual
       culture and history. 
588    Description based on print version record. 
648  7 1500 - 1699|2fast 
650  0 English drama|yEarly modern and Elizabethan, 1500-1600
       |xHistory and criticism. 
650  0 English drama|y17th century|xHistory and criticism. 
650  0 Art and literature|zEngland|xHistory|y16th century. 
650  0 Art and literature|zEngland|xHistory|y17th century. 
650  0 Material culture in literature|xHistory|y16th century. 
650  0 Material culture in literature|xHistory|y17th century. 
650  0 Visual perception in literature. 
650  0 Art in literature. 
650  0 Unfinished works of art. 
650  0 Iconoclasm in literature. 
650  0 English drama|xHistory and criticism|yEarly Modern And 
       Elizabethan, 1500-1600. 
650 07 Drama.|0(DE-588)4012899-4|2gnd 
650 07 Englisch.|0(DE-588)4014777-0|2gnd 
650 07 Unvollständigkeit.|0(DE-588)4509185-7|2gnd 
650  7 Visual perception in literature.|2fast|0(OCoLC)fst01168077
650  7 Art and literature.|2fast|0(OCoLC)fst00815400 
650  7 Art in literature.|2fast|0(OCoLC)fst00815566 
650  7 English drama.|2fast|0(OCoLC)fst00910737 
650  7 English drama|xEarly modern and Elizabethan.|2fast
       |0(OCoLC)fst01710950 
650  7 Iconoclasm in literature.|2fast|0(OCoLC)fst00966763 
650  7 Material culture in literature.|2fast|0(OCoLC)fst01011754 
650  7 Unfinished works of art.|2fast|0(OCoLC)fst01161280 
651  7 England.|2fast|0(OCoLC)fst01219920 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aPorter, Chloe.|tMaking and unmaking in 
       early modern English drama.|dManchester : Manchester 
       University Press, 2013|z9780719084973|w(OCoLC)870416507 
914    ocn875674633 
994    92|bCKE