LEADER 00000cam  2200577 i 4500 
001    on1019645749 
003    OCoLC 
005    20180706031329.0 
008    180110t20182018nyua     b    001 0 eng c 
010      2017945553 
020    9780500239698|q(hardback) 
020    050023969X|q(hardback) 
024 8  99976311345 
035    (OCoLC)1019645749 
040    ERASA|beng|erda|cERASA|dQGJ|dYDX|dFM0|dBKL|dFXM|dUAB|dWLU
       |dZVP|dNYP|dOSU|dVP@|dIAY|dCNNGC|dOCLCF 
042    pcc 
043    e------ 
049    CKEA 
050  4 N8236.P69|bN63 2018 
082 04 704.9/49362509409034|223 
100 1  Nochlin, Linda,|eauthor. 
245 10 Misère :|bthe visual representation of misery in the 19th 
       century /|cLinda Nochlin. 
264  1 New York, New York :|bThames & Hudson,|c2018. 
264  4 |c©2018 
300    176 pages :|billustrations (some color) ;|c24 cm 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 164-170) and 
       index. 
505 0  Misère: the Irish paradigm -- The gender of misery -- 
       Géricault, Goya and the representation of misery -- 
       Representing misery: Courbet's Beggar woman -- Fernand 
       Pelez: master of miserable old men -- Conclusion. 
520 8  In 'Misère', famed art historian Linda Nochlin reveals how
       , in the new form of civilization produced by the 
       Industrial Revolution, in which the phenomenal growth of 
       wealth occurred alongside an expansion of squalor, writers
       and artists of the nineteenth century used their craft to 
       come to terms with what were often new and unprecedented 
       social, material, and psychological circumstances. Nochlin
       charts the phenomenon of misery as it was represented in 
       the popular and fine arts of the nineteenth century. 
       Examining work by some of the great intellects of the era-
       -including Dickens, Carlyle, Engels, Hugo, Buret, Disraeli,
       and de Tocqueville--as well as relative unknowns who were 
       searching for ways to depict new realities, Nochlin draws 
       from a range of sources that include paintings, prints, 
       newspaper illustrations, photography, and a variety of 
       texts: from the account of a day in the life of an eight-
       year-old mine worker girl to the foundational texts of the
       field such as Friedrich Engels's The condition of the 
       working class in England. 
648  7 1800-1899|2fast 
650  0 Poverty in art|xHistory. 
650  0 Poverty in literature|xHistory. 
650  0 Suffering in art|xHistory. 
650  0 Suffering in literature|xHistory. 
650  0 Industrial revolution in art. 
650  0 Art, Modern|y19th century|xHistory. 
650  0 Art, European|y19th century|xHistory. 
650  7 Art, European.|2fast|0(OCoLC)fst00816244 
650  7 Art, Modern.|2fast|0(OCoLC)fst00816615 
650  7 Industrial revolution in art.|2fast|0(OCoLC)fst01938384 
650  7 Poverty in art.|2fast|0(OCoLC)fst01074142 
650  7 Poverty in literature.|2fast|0(OCoLC)fst01074143 
650  7 Suffering in art.|2fast|0(OCoLC)fst01137173 
650  7 Suffering in literature.|2fast|0(OCoLC)fst01137175 
655  7 History.|2fast|0(OCoLC)fst01411628 
994    C0|bCKE