| Description |
1 online resource (255 pages :) : illustrations |
| Note |
Includes index. |
| Contents |
Introduction; General Rules of Composition; Of Fitness; Of Variety; Of Uniformity, Regularity or Symmetry; Of Simplicity, or Distinctness; Of Intricacy; Of Quantity; Mastering of Lines; Of Lines; Of What Sort of Parts, and How Pleasing Forms Are Composed; Of Composition with the Waving-Line; Of Compositions with the Serpentine-Line; Light, Shadows and Colours; Of Proportions; Of Light and Shade, and the Manner in which Objects are Explainedto the Eye by Them; Of Composition, with Regard to Light, Shade and Colour; Of Colouring; Positioning of the Human Figure in Compositions. |
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Of the FaceOf Attitude; Of Action; Hogarth's Life; Index. |
| Summary |
William Hogarth wrote his Analysis of Beauty in 1753, during the Age of Enlightenment. Through this captivating text, he tends to define the notion of beauty in painting and states that it is linked, per se, to the use of the serpentine lines in pictorial compositions. He calls it the line of beauty . His essay is thus dedicated to the study of the composition of paintings, depending on the correct use of the pictorial lines, light, colour, and the figure's attitudes. These timeless concepts have been applied by several artists through the centuries. Paintings from every period have here been. |
| Subject |
Aesthetic movement (Art)
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Aesthetics.
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Art for art's sake (Movement)
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Aesthetics -- Early works to 1800.
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Art -- History.
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ART -- General.
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Aesthetic movement (Art) (OCoLC)fst00798698
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Aesthetics. (OCoLC)fst00798702
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| Other Form: |
Print version: Hogarth, William. Aestheticism in Art. New York : Parkstone International, ©2012 9781906981921 |
| ISBN |
9781780428895 (electronic bk.) |
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1780428898 (electronic bk.) |
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