| Description |
202 pages, 16 unnumbered pages of plates : illustrations ; 24 cm |
| Bibliography |
Includes bibliographical references (pages 186-187) and index. |
| Contents |
Introduction: watching ourselves watching / Linda Troost and Sayre Greenfield -- Out of the drawing room, onto the lawn / Rachel M. Brownstein -- Balancing the courtship hero: masculine emotional display in film adaptations of Austen's novels / Cheryl L. Nixon -- Misrepresenting Jane Austen's ladies: revising texts (and history) to sell films / Rebecca Dickson -- Austen, class, and the American market / Carol M. Dole -- Jane Austen, film, and the pitfalls of postmodern |
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nostalgia / Amanda Collins -- "A correct taste in landscape:" Pemberley as fetish and commodity / H. Elisabeth Ellington --Mr. Darcy's body: privileging the female gaze / Lisa Hopkins -- Emma becomes clueless / Suzanne Ferriss -- "As if!": translating Austen's ironic narrator to film / Nora Nachumi -- Emma Thompson's Sense and sensibility as gateway to Austen's novel / M. Casey Diana -- "Piracy is our only option": postfeminist intervention in Sense and sensibility / |
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Kristin Flieger Samuelian -- Feminist implications of the silver screen Austen / Devoney Looser -- Mass marketing Jane Austen: men, women, and courtship in two film adaptations / Deborah Kaplan. |
| Subject |
Austen, Jane, 1775-1817 -- Film adaptations.
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English fiction -- Film adaptations.
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English fiction -- Television adaptations.
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Women in motion pictures.
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England -- In motion pictures.
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| Added Author |
Troost, Linda, 1957-
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Greenfield, Sayre N., 1956-
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| ISBN |
0813120845 alkaline paper |
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