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LEADER 00000cam a2200529 i 4500
001 on1038039591
003 OCoLC
005 20190213031124.0
008 180521s2019 nyua b 001 0 eng
010 2018020940
019 1031951291|a1031951351
020 9781479886647|q(hardcover|qalkaline paper)
020 1479886645|q(hardcover|qalkaline paper)
020 9781479847877|q(paperback|qalkaline paper)
020 1479847879|q(paperback|qalkaline paper)
035 (OCoLC)1038039591|z(OCoLC)1031951291|z(OCoLC)1031951351
040 DLC|beng|erda|cDLC|dOCLCO|dOCLCF|dYDX|dMDB|dIGA|dBDX
|dERASA|dDYJ
042 pcc
043 n-us---
049 CKEA
050 00 PN1995.9.N4|bE75 2019
082 00 791.43/652996073|223
100 1 Erigha, Maryann,|eauthor.
245 14 The Hollywood Jim Crow :|bthe racial politics of the movie
industry /|cMaryann Erigha.
264 1 New York :|bNew York University Press,|c[2019]
300 vii, 225 pages :|billustrations ;|c24 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references (pages 199-214) and
index.
505 0 Introduction: race matters in Hollywood -- Representation
and racial hierarchy -- Labeling Black unbankable --
Directing on the margins -- Making genre ghettos --
Manufacturing racial stigma -- Remaking cinema --
Conclusion: Hollywood's racial politics.
520 8 The story of racial hierarchy in the American film
industry. The #OscarsSoWhite campaign, and the content of
the leaked Sony emails which revealed, among many other
things, that a powerful Hollywood insider didn't believe
that Denzel Washington could "open" a western genre film,
provide glaring evidence that the opportunities for people
of color in Hollywood are limited. In The Hollywood Jim
Crow, Maryann Erigha tells the story of inequality,
looking at the practices and biases that limit the
production and circulation of movies directed by racial
minorities. She examines over 1,300 contemporary films,
specifically focusing on directors, to show the key
elements at work in maintaining "the Hollywood Jim Crow."
Unlike the Jim Crow era where ideas about innate racial
inferiority and superiority were the grounds for
segregation, Hollywood's version tries to use economic and
cultural explanations to justify the underrepresentation
and stigmatization of Black filmmakers. Erigha exposes the
key elements at work in maintaining Hollywood's racial
hierarchy, namely the relationship between genre and race,
the ghettoization of Black directors to black films, and
how Blackness is perceived by the Hollywood producers and
studios who decide what gets made and who gets to make it.
Erigha questions the notion that increased representation
of African Americans behind the camera is the sole answer
to the racial inequality gap. Instead, she suggests
focusing on the obstacles to integration for African
American film directors. Hollywood movies have an
expansive reach and exert tremendous power in the national
and global production, distribution, and exhibition of
popular culture. The Hollywood Jim Crow fully dissects the
racial inequality embedded in this industry, looking at
alternative ways for African Americans to find success in
Hollywood and suggesting how they can band together to
forge their own career paths.
650 0 African American motion picture producers and directors.
650 0 African Americans in the motion picture industry.
650 0 Motion pictures|zUnited States|xSocal aspects|xHistory.
650 7 African American motion picture producers and directors.
|2fast|0(OCoLC)fst00799269
650 7 African Americans in the motion picture industry.|2fast
|0(OCoLC)fst00799738
650 7 PERFORMING ARTS / Film / Direction & Production.|2bisacsh
650 7 SOCIAL SCIENCE / Discrimination & Race Relations.|2bisacsh
651 7 United States.|2fast|0(OCoLC)fst01204155
655 7 History.|2fast
994 C0|bCKE