| Edition |
First edition. |
| Description |
x, 514 pages ; 25 cm |
| Bibliography |
Includes bibliographical references (pages 473-487) and index. |
| Contents |
The origin of music as a force of creative destruction -- Carnivores at the philharmonic -- In search of a universal music -- Music history as a battle between magic and mathematics -- Bulls and sex toys -- The storyteller -- The invention of the singer -- The shame of music -- Unmanly music -- The devil's songs -- Oppression and musical innovation -- Not all wizards carry wands -- The invention of the audience -- Musicians behaving badly -- The origins of the music business -- Culture wars -- Subversives in wigs -- You say you want a revolution? -- The great flip-flop -- The aesthetics of diaspora -- Black music and the great American lifestyle crisis -- Rebellion goes mainstream -- Funky butt -- The origins of country music in the neolithic era -- Where did our love go? -- The sacrificial ritual -- Rappers and technocrats -- Welcome our new overlords -- Epilogue: this is not a manifesto. |
| Summary |
Gioia tells a 4,000-year history of music as a global source of power, change, and upheaval. He shows how social outcasts have repeatedly become trailblazers of musical expression. |
| Subject |
Music -- Social aspects -- History.
|
|
Music -- Political aspects -- History.
|
|
Music -- Political aspects.
(OCoLC)fst01030414
|
|
Music -- Social aspects.
(OCoLC)fst01030444
|
| Genre/Form |
History. (OCoLC)fst01411628
|
| ISBN |
9781541644366 (hardcover : alk. paper) |
|
1541644360 (hardcover : alk. paper) |
|
9781541617971 (ebook) |
|
