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Author Lewis, David Levering, 1936-

Title When Harlem was in vogue / David Levering Lewis.

Publication Info. New York : Penguin Books, 1997.
1981.

Copies

Location Call No. Status
 Manchester, Main Library - Non Fiction  700.8996 LEWIS    Check Shelf
Description xxviii, 381 pages, 32 unnumbered pages of plates : illustrations, portraits, facsimile ; 20 cm
Note Originally published: New York : Knopf, 1981. With new preface.
Bibliography Includes bibliographical references (pages [309]-363) and index.
Contents 1. We Return Fighting -- 2. City of Refuge -- 3. Stars -- 4. Enter the New Negro -- 5. The Six -- 6. Nigger Heaven -- 7. A Jam of a Party -- 8. The Fall of the Manor -- 9. It's Dead Now -- Notes.
Summary "Tremendous optimism filled the streets of Harlem during the decade and a half following World War I. Langston Hughes, Eubie Blake, Marcus Garvey, Zora Neale Hurston, Paul Robeson, and countless others began their careers; Afro-America made its first appearance on Broadway; musicians found new audiences in the chic who sought out the exotic in Harlem's whites-only nightclubs; riotous rent parties kept economic realities at bay; and A'Lelia Walker and Carl Van Vechten outdid each other with glittering "integrated" soirees. When Harlem Was in Vogue recaptures the excitement of those times, displaying the intoxicating hope that black Americans could create important art and compel the nation to recognize their equality. In this critically-acclaimed study of race assimilation, David Levering Lewis focuses on the creation and manipulation of an arts and belles-lettres culture by a tiny Afro-American elite, striving to enhance "race relations" in America, and ultimately, the upward mobility of the Afro-American masses. He demonstrates how black intellectuals developed a systematic program to bring artists to Harlem, conducting nation-wide searches for black talent and urging WASP and Jewish philanthropists (termed "Negrotarians" by Zora Neale Hurston) to help support writers. This extensively-researched, fascinating volume reveals the major significance of the Renaissance as a movement which sprang up in Harlem but lent its mood to the entire era, and as a culturally-vital period whose after-effects continue to add immeasurably to the richness and character of American life."--Publisher's description.
Subject African American arts -- New York (State) -- New York -- 20th century.
Harlem (New York, N.Y.) -- Intellectual life -- 20th century.
ISBN 0140263349
9780140263343
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