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100 1  Warner, Lawrence,|d1968-|eauthor. 
245 14 The myth of Piers Plowman :|bconstructing a medieval 
       literary archive /|cLawrence Warner. 
264  1 Cambridge ;|aNew York :|bCambridge University Press,
       |c2014. 
300    1 online resource (xiv, 220 pages) :|billustrations, 
       facsimiles. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Cambridge studies in medieval literature ;|v89 
504    Includes bibliographical references (pages 187-208) and 
       index. 
505 0  Introduction: archive fever and the madness of Joseph 
       Ritson -- William and the werewolf: the problem of William
       of Palerne -- Localizing Piers Plowman C: Meed, Corfe 
       castle, and the London Riot of 1384 -- Latinitas et 
       communitas Visionis Willielmi de Longlond -- "Quod piers 
       plowman" : non-reformist prophecy, c.1520-1555 -- Urry, 
       Burrell, and the pains of John Taylor: the Spelman MS, 
       1709-1766 -- William Dupré, fabricateur: Piers Plowman in 
       the age of forgery, c.1794-1802 -- Conclusion: Leland's 
       madness and the tale of Piers Plowman. 
520    "Addressing the history of the production and reception of
       the great medieval poem, Piers Plowman, Lawrence Warner 
       reveals the many ways in which scholars, editors and 
       critics over the centuries created their own speculative 
       narratives about the poem, which gradually came to be 
       regarded as factually true. Warner begins by considering 
       the possibility that Langland wrote a romance about a 
       werewolf and bear-suited lovers, and he goes on to explore
       the methods of the poem's localization, and medieval 
       readers' particular interest in its Latinity. Warner shows
       that the 'Protestant Piers' was a reaction against the 
       poem's oral mode of transmission, reveals the extensive 
       eighteenth-century textual scholarship on the poem by 
       figures including the maligned Chaucer editor John Urry, 
       and contextualizes its first modernization by a literary 
       forger inspired by the 1790s Shakespeare controversies. 
       This lively account of Piers Plowman challenges the way 
       the poem has traditionally been read and understood"--
       |cProvided by publisher. 
542 1  |fThis work is licensed by Knowledge Unlatched under a 
       Creative Commons license|uhttp://creativecommons.org/
       licenses/by-nd/3.0 
588 0  Print version record. 
590    Cambridge University Press|bCambridge Open Access Books 
600 10 Langland, William,|d1330?-1400?|xCriticism and 
       interpretation. 
600 10 Langland, William,|d1330?-1400?|xAuthorship. 
600 10 Langland, William,|d1330?-1400?|tPiers Plowman|xCriticism,
       Textual. 
600 17 Langland, William,|d1330?-1400?|2fast|0(OCoLC)fst00029063 
600 17 Langland, William|d1332-1400.|tPiers Plowman.|2gnd 
630 07 Piers Plowman (Langland, William)|2fast
       |0(OCoLC)fst01716084 
650  7 Literature and literary studies.|2bicssc 
650  7 LITERARY CRITICISM|xEuropean|xEnglish, Irish, Scottish, 
       Welsh.|2bisacsh 
650  7 POETRY|xEnglish, Irish, Scottish, Welsh.|2bisacsh 
650  7 Authorship.|2fast|0(OCoLC)fst00822442 
650  7 Stoff|gLiteratur.|2gnd 
650  7 Textkritik.|2sao 
650  7 Författarskap.|2sao 
655  0 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aWarner, Lawrence, 1968-|tMyth of Piers 
       Plowman.|dCambridge ; New York : Cambridge University 
       Press, 2014|z9781107043633|w(DLC)  2013033226
       |w(OCoLC)861211818 
830  0 Cambridge studies in medieval literature ;|v89. 
914    ocn875289020 
994    92|bSTJ