LEADER 00000cam a2200685 i 4500 
001    on1100782089 
003    OCoLC 
005    20200623012250.0 
008    190722s2020    nyua     b    000 0 eng   
010      2019022531 
015    GBC018163|2bnb 
016 7  019702078|2Uk 
019    1100771579|a1115081995|a1129197091 
020    9780231194563|qhardcover 
020    0231194560|qhardcover 
020    9780231194570|qpaperback 
020    0231194579|qpaperback 
020    |z9780231550888|qelectronic book 
035    (OCoLC)1100782089|z(OCoLC)1100771579|z(OCoLC)1115081995
       |z(OCoLC)1129197091 
040    DLC|beng|erda|cDLC|dOCLCF|dOCLCO|dNYP|dYDX|dTOH|dBUF
       |dERASA|dUKMGB|dVP@ 
042    pcc 
049    CKEA 
050 00 PQ4866.E6345|bZ6716 2020 
082 04 305.42|223 
245 04 The Ferrante letters :|ban experiment in collective 
       criticism /|cSarah Chihaya, Merve Emre, Katherine Hill, 
       Jill Richards. 
264  1 New York :|bColumbia University Press,|c[2020] 
300    277 pages ;|c22 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Literature now 
504    Includes bibliographical references. 
505 0  Part 1: Letters (2015) -- Part 2: Essays (2018) -- "Unform,
       " Sarah Chihaya -- "The Story of a Fiction," Katherine 
       Hill -- "The Queer Counterfactual," Jill Richards -- "The 
       Cage of Authorship," Merve Emre -- Afterword -- Appendix: 
       Guest Letters -- Sara Marcus, Marissa Brostoff, Lili 
       Loofbourow, Amy Schiller, and Cecily Swanson. 
520    "Like few other works of contemporary literature, Elena 
       Ferrante's Neapolitan novels found an audience of 
       passionate and engaged readers around the world. Inspired 
       by Ferrante's intense depiction of female friendship and 
       women's intellectual lives, four critics embarked upon a 
       project that was both work and play: to create a series of
       epistolary readings of the Neapolitan Quartet that also 
       develops new ways of reading and thinking together. In a 
       series of intertwined, original, and daring readings of 
       Ferrante's work and her fictional world, Sarah Chihaya, 
       Merve Emre, Katherine Hill, and Jill Richards strike a 
       tone at once critical and personal, achieving a way of 
       talking about literature that falls between the seminar 
       and the book club. Their letters make visible the slow, 
       fractured, and creative accretion of ideas that 
       underwrites all literary criticism and also illuminate the
       authors' lives outside the academy. The Ferrante Letters 
       offers an improvisational, collaborative, and cumulative 
       model for reading and writing with others, proposing a new
       method the authors call collective criticism. A book for 
       fans of Ferrante and for literary scholars seeking fresh 
       modes of intellectual exchange, The Ferrante Letters 
       offers incisive criticism, insouciant riffs, and the 
       pleasure of giving oneself over to an extended 
       conversation about fiction with friends"--|cProvided by 
       publisher. 
600 10 Ferrante, Elena|xCriticism and interpretation. 
600 17 Ferrante, Elena.|2fast|0(OCoLC)fst00386215 
650  0 Female friendship in literature. 
650  0 Women in literature. 
650  7 Female friendship in literature.|2fast|0(OCoLC)fst00922616
650  7 Women in literature.|2fast|0(OCoLC)fst01177912 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
700 1  Chihaya, Sarah,|eauthor. 
700 1  Emre, Merve,|eauthor. 
700 1  Hill, Katherine,|d1982-|eauthor. 
700 1  Richards, Jill C.,|d1983-|eauthor. 
700 1  Marcus, Sara,|d1977-|eauthor. 
700 1  Brostoff, Marissa,|eauthor. 
700 1  Loofbourow, Lili,|eauthor. 
700 1  Schiller, Amy,|eauthor. 
700 1  Swanson, Cecily,|eauthor. 
776 08 |iOnline version:|aChihaya, Sarah,|tThe ferrante letters
       |dNew York : Columbia University Press, 2019.
       |z9780231550888|w(DLC)  2019022532 
830  0 Literature now. 
994    C0|bCKE