| Description |
1 online resource (x, 231 pages) |
|
data file rda |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction / Eugenia Paulicelli and Louise Wallenberg -- The 1960s: youth, culture, and sexual liberation. Sanitizing the Beatles for revolution: music, film, and fashion in the 1960s and a Hard day's night / Ronald Gregg -- The art of undressing: automation and exposure at the margins of cinema / Amy Herzog -- Pasolini's teorema: the eroticism of the visitor's discarded clothes / Stella Bruzzi -- Rite of passage: the hat that wouldn't disappear in the 1960s / Drake Stutesman -- Cities, nations, and fashion. Fashion apart: Godard and Fageol in 1960s paris / Astrid Soderbergh Widding -- Fashion, film, and rome / Eugenia Paulicelli -- Contexts, contradictions, couture, and clothing: fashion in An American in Paris, Breakfast at Tiffany's, and That touch of mink / Pat Kirkham and Marilyn Cohen -- Gender: modernity and tradition. The fashioning of Julie Christie and the mythologizing of "swinging London": changing images in Sixties Britain / Pamela Church Gibson -- Women in white: femininity and female desire in 1960s Bombay cinema / Anupama Kapse -- Mago's magic: fashioning sexual indifference in Ingmar Bergman's 1960s cinema / Louise Wallenberg -- Single men: sixties aesthetics and vintage style in contemporary cinema / Nick Rees Roberts -- Epilogue. Adriana Berselli: costume for cinema and theater / Eugenia Paulicelli -- Souvenir of a costume designer / Adriana Berselli. |
| Note |
Online resource; title from digital title page (viewed on October 06, 2017). |
| Summary |
"A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today."--EBSCO |
| Subject |
Motion picture actors and actresses -- Clothing.
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Fashion in motion pictures.
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Motion pictures -- History -- 20th century.
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PERFORMING ARTS -- Reference.
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PERFORMING ARTS -- Film & Video -- History & Criticism.
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Fashion in motion pictures. (OCoLC)fst00921643
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Motion pictures. (OCoLC)fst01027285
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| Chronological Term |
1900-1999
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| Genre/Form |
History. (OCoLC)fst01411628
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| Added Author |
Paulicelli, Eugenia, 1958- editor.
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Stutesman, Drake, editor.
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Wallenberg, Louise, editor.
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| Other Form: |
Print version: Film, fashion, and the 1960s. Bloomington : Indiana University Press, 2017 9780253025593 (DLC) 2017023249 |
| ISBN |
9780253026415 (electronic book) |
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0253026415 (electronic book) |
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