Includes bibliographical references (pages 217-228) and index.
Note
Print version record.
Contents
Introduction: spectacle and its other -- From latent to live: disaster photography after the digital turn -- Origins of affect: the falling body and other symptoms of cinema -- Remembering-images: empty cities, machinic vision, and the post-9/11 imaginary -- Lights, camera, iconoclasm: how do monuments die and live to tell about it? -- The failure of the failure of images: the crisis of the unrepresentable from the graphic -- Novel to the 9/11 memorial -- Conclusion: disaster(s) without content.