| Description |
1 online resource (457 pages) |
| Note |
Print version record. |
| Contents |
Cover; AMERICAN WOMEN POETS IN THE 21ST CENTURY; Title; Copyright; CONTENTS; ACKNOWLEDGMENTS; INTRODUCTION; RAE ARMANTROUT; POEMS; As We're Told; The Plan; View; Up to Speed; Manufacturing; POETIC STATEMENT; Cheshire Poetics; LYRICISM OF THE SWERVE; The Poetry of Rae Armantrout; MEI-MEI BERSSENBRUGGE; POEMS; From Four Year Old Girl; From Kali; From The Retired Architect; POETIC STATEMENT; By Correspondence; A "SENSITIVE EMPIRICISM"; Berssenbrugge's Phenomenological Investigations; LUCIE BROCK-BROIDO; POEMS; The One Thousand Days; Soul Keeping Company; Periodic Table of Ethereal Elements. |
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Am MoorCarrowmore; POETIC STATEMENT; Myself a Kangaroo Among the Beauties; "SUBJECT, SUBJUGATE, INTHRALLED"; The Selves of Lucie Brock-Broido; JORIE GRAHAM; POEMS; Exit Wound; Covenant; Prayer; Gulls; The Complex Mechanism of the Break; In/Silence; Philosopher's Stone; POETIC STATEMENT; At the Border; JORIE GRAHAM AND EMILY DICKINSON; Singing to Use the Waiting; BARBARA GUEST; POEMS; Valorous Vine; If So, Tell Me; Confession of My Images; Defensive Rapture; An Emphasis Falls on Reality; The Farewell Stairway; Words; POETIC STATEMENT; The Forces of the Imagination. |
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IMPLACABLE POET, PURPLE BIRDSThe Work of Barbara Guest; LYN HEJINIAN; POEMS; From Writing Is an Aid to Memory; From Happily; POETIC STATEMENT; Some Notes toward a Poetics; Parting with Description; BRENDA HILLMAN; POEMS; A Geology; POETIC STATEMENT; Twelve Writings toward a Poetics of Alchemy, Dread, Inconsistency, Betweenness, and California Geological Syntax; "NEEDING SYNTAX TO LOVE"; Expressive Experimentalism in the Work of Brenda Hillman; SUSAN HOWE; POEMS; From Chair; POETIC STATEMENT; There Are Not Leaves Enough to Crown to Cover to Crown to Cover; ARTICULATING THE INARTICULATE. |
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Singularities and the Countermethod in Susan HoweANN LAUTERBACH; POEMS; In the Museum of the Word (Henri Matisse); STONES (Istanbul, Robert Smithson); POETIC STATEMENT; As (It) Is: Toward a Poetics of the Whole Fragment; "Enlarging the Last Lexicon of Perception" in Ann Lauterbach's Framed Fragments; HARRYETTE MULLEN; POEMS; Wino Rhino; Fancy Cortex; Music for Homemade Instruments; The Anthropic Principle; Sleeping with the Dictionary; POETIC STATEMENT; Imagining the Unimagined Reader; "SLEEPING WITH THE DICTIONARY"; Harryette Mullen's "Recyclopedia, "; CONTRIBUTORS. |
| Summary |
A thought-provoking mix of poetry, creative manifesto and criticism. |
| Subject |
American poetry -- Women authors.
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Women -- United States -- Poetry.
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American poetry -- 21st century.
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American poetry -- 20th century.
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LITERARY CRITICISM -- Poetry.
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American poetry. (OCoLC)fst00807348
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American poetry -- Women authors.
(OCoLC)fst00807417
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Women. (OCoLC)fst01176568
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United States. (OCoLC)fst01204155
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| Chronological Term |
2000 - 2099
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| Genre/Form |
Poetry. (OCoLC)fst01423828
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| Added Author |
Spahr, Juliana.
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| Other Form: |
Print version: Rankine, Claudia. American Women Poets in the 21st Century : Where Lyric Meets Language. Middletown : Wesleyan University Press, ©2013 9780819565464 |
| ISBN |
9780819574442 (electronic bk.) |
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0819574449 (electronic bk.) |
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