LEADER 00000cam a2200649 a 4500 
001    ocm20917949  
003    OCoLC 
005    20200625020155.0 
008    881215s1989    dcua     bc   000 0 eng   
010       88600493 
016 7  009783575|2Uk 
019    18960830|a979925869|a988427198|a1008351519|a1020230465 
020    0295968370 
020    9780295968377 
020    0295968362|q(pbk.) 
020    9780295968360|q(pbk.) 
035    (OCoLC)20917949|z(OCoLC)18960830|z(OCoLC)979925869
       |z(OCoLC)988427198|z(OCoLC)1008351519|z(OCoLC)1020230465 
040    DLC|beng|cDLC|dBAKER|dBTCTA|dYDXCP|dOCLCG|dOCLCO|dUKMGB
       |dOCLCF|dOCLCQ|dOCLCO|dOCLCQ|dOCL|dCSF|dDDD|dNKM|dAVA
       |dGILDS|dGUA|dOKX|dBOS|dDCHUA|dOCLCO|dCBA|dOCLCO 
043    n-us--- 
049    STJJ 
050 00 N6538.N5|bM35 1989 
082 00 704/.0393073/0074|219 
086 0  SI 1.2:AF 8/6 
100 1  McElroy, Guy C. 
245 10 African-American artists, 1880-1987 :|bselections from the
       Evans-Tibbs Collection /|cGuy C. McElroy, Richard J. 
       Powell, Sharon F. Patton ; introduction by David C. 
       Driskell. 
260    Washington, D.C. :|bSmithsonian Institution Traveling 
       Exhibition Service, in association with University of 
       Washington Press, Seattle,|c©1989. 
300    125 pages :|bcolor illustrations ;|c28 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    from MS513 Therasea Elder papers. 
504    Includes bibliographical references (page 125). 
505 0  The foundations for change, 1880-190 / Guy C. McElroy -- 
       From renaissance to realization, 1920-1950 / Richard J. 
       Powell -- The search for identity, 1950-1987 / Sharon F. 
       Patton -- Exhibition checklist and artist biographies. 
520    "Three essays in this companion volume to a traveling 
       exhibition trace the artistic and political forces shaping
       African-American art of the last century. McElroy, guest 
       curator at the Corcoran Gallery in Washington, D.C., 
       explores the years 1880-1920; however, his dry, 
       formalistic analyses of various works do not address what 
       their makers might have had in common aside from race. 
       Fortunately, Powell, program director for the Washington 
       D.C. Project for the Arts, and Patton, chief curator of 
       Harlem's Studio Museum, who respectively cover the periods
       1920-1950 and 1950-1987, relate the pieces in the 
       collection to one another, placing them in a socio-
       historical context. Color reproductions of 75 works are 
       well integrated and commendably diverse, and include art 
       by Elizabeth Catlett, whose subjects address societal 
       inequities, and by Charles Alston, who in the 1930s led 
       the influential Harlem Art Workshop and who was equally 
       adept at figurative and abstract representation. Prints, 
       etchings such as those of Henry O. Tanner, whose works are
       marked by religious themes, and the folk art of Bill 
       Traylor, who at 85 began to draw on cardboard scraps, 
       complement the oil paintings depicted here." -- Publishers
       Weekly. 
530    Also issued online. 
610 20 Evans-Tibbs Collection|vExhibitions. 
610 27 Evans-Tibbs Collection.|2fast|0(OCoLC)fst00590287 
648  7 1800-1999|2fast 
650  0 African American art|y19th century|vExhibitions. 
650  0 African American art|y20th century|vExhibitions. 
650  7 African American art.|2fast|0(OCoLC)fst00799012 
655  4 Exhibition catalogues. 
655  7 Exhibition catalogs.|2lcgft 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
700 1  Powell, Richard J.,|d1953- 
700 1  Patton, Sharon F. 
710 2  Smithsonian Institution.|bTraveling Exhibition Service. 
776 08 |iOnline version:|aMcElroy, Guy C.|tAfrican-American 
       artists, 1880-1987.|dWashington, D.C. : Smithsonian 
       Institution Traveling Exhibition Service, in association 
       with University of Washington Press, Seattle, ©1989
       |w(OCoLC)581399064 
994    C0|bSTJ