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LEADER 00000cam  2200721Ii 4500 
001    ocn134959469 
003    OCoLC 
005    20210830213020.0 
006    m     o  d         
007    cr cnu---unuuu 
008    070524s2007    cau     ob   s001 0 eng d 
019    191925511|a290520871|a475425804|a614486543|a648181243
020    9780520940710|q(electronic bk.) 
020    0520940717|q(electronic bk.) 
020    9781429471831|q(electronic bk.) 
020    1429471832|q(electronic bk.) 
035    (OCoLC)134959469|z(OCoLC)191925511|z(OCoLC)290520871
040    N$T|beng|epn|erda|cN$T|dOCLCQ|dN$T|dVLB|dOCLCQ|dADU|dE7B
049    GTKE 
050  4 PN1998.3.W45|bR67 2007eb 
070    PN1998.3.W45|b(INTERNET) 
082 04 791.43023/3092|222 
100 1  Rosenbaum, Jonathan,|d1943-,|eauthor 
245 10 Discovering Orson Welles /|cJonathan Rosenbaum. 
264  1 Berkeley :|bUniversity of California Press,|c[2007] 
264  4 |c©2007 
300    1 online resource (ix, 336 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    data file 
504    Includes bibliographical references and index. 
505 0  I missed it at the movies: objections to "Raising Kane" --
       The voice and the eye: a commentary on the Heart or 
       darkness script -- Notes on a conversation with Welles -- 
       First impressions of F for fake -- The butterfly and the 
       whale: Orson Welles's F for fake -- Prime cut (the 107-
       minute Touch of evil) -- André Bazin and the politics of 
       sound in Touch of evil -- The invisible Orson Welles: a 
       first inventory -- Reviews of biographies by Barbara 
       Leaming and Charles Higham and a critical edition of Touch
       of evil -- Afterword to The big brass ring, a screenplay 
       by Orson Welles (with Oja Kodar) -- Wellesian: Quixote in 
       a trashcan (New York University Welles Conference) -- 
       Reviews of Citizen Welles and a critical edition of Chimes
       at midnight -- Review of Orson Welles: A bio-bibliography 
       -- Orson Welles's essay films and documentary fictions: a 
       two-part speculation -- The seven Arkadins -- Othello goes
       Hollywood -- Truth and consequence: On it's all true: 
       based on an unfinished film by Orson Welles -- Afterword 
       to The cradle will rock, an original screenplay by Orson 
       Welles -- Orson Welles in the U.S.: an exchange with Bill 
       Krohn -- The battle over Orson Welles -- Touch of evil 
       retouched -- Excerpt from "Problems of access: on the 
       trail of some festival films and filmmakers" (On touch of 
       evil) -- Welles in the lime light: The third man -- Orson 
       Welles as ideological challenge -- Orson Welles's 
       purloined letter: F for fake -- When will -- and how can -
       - we finish Orson Welles's Don Quixote? 
520 3  "Of the dozens of books written about Orson Welles, most 
       focus on the central enigma of Welles's career: why did 
       someone so extravagantly talented neglect to finish so 
       many projects? Film critic Jonathan Rosenbaum has long 
       believed that to dwell on this aspect of the Welles canon 
       is to overlook the wealth of information available by 
       studying the unrealized works. Discovering Orson Welles 
       collects Rosenbaum's writings to date on Welles-some 
       thirty-five years of them-and makes an irrefutable case 
       for the seriousness of his work, illuminating both Welles 
       the artist and Welles the man. The book is also a 
       chronicle of Rosenbaum's highly personal writer's journey 
       and his efforts to arrive at the truth. The essays, 
       interviews, and reviews are arranged chronologically and 
       are accompanied by commentary that updates the 
       scholarship. Highlights include Rosenbaum's 1972 interview
       with Welles about his first Hollywood project, Heart of 
       Darkness; Rosenbaum's rebuttal to Pauline Kael's famous 
       essay "Raising Kane"; detailed essays and comprehensive 
       discussions of Welles's major unfinished work, including 
       two unrealized projects, The Big Brass Ring and The Cradle
       Will Rock; and an account of Rosenbaum's work as 
       consultant on the 1998 re-editing of Touch of Evil, based 
       on a studio memo by Welles."--|cProvided by publisher 
588 0  Print version record. 
600 10 Welles, Orson,|d1915-1985|xCriticism and interpretation. 
600 17 Welles, Orson,|d1915-1985|2fast|0(OCoLC)fst00031295 
650  7 PERFORMING ARTS|xFilm & Video|xDirection & Production.
650  7 PERFORMING ARTS|xFilm & Video|xGeneral.|2bisacsh 
655  0 Electronic books. 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
776 08 |iPrint version:|aRosenbaum, Jonathan.|tDiscovering Orson 
       Welles.|dBerkeley : University of California Press, ©2007
       |z9780520247383|z0520247388|w(DLC)  2006021749
914    ocn134959469 
994    92|bGTK 
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