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Bestseller
BestsellerE-Book
Author Pigott, Michael, author.

Title Joseph Cornell versus cinema / Michael Pigott.

Publication Info. London : Bloomsbury Publishing, 2013.

Copies

Location Call No. Status
 University of Saint Joseph: Pope Pius XII Library - Internet  WORLD WIDE WEB E-BOOK BLOOMSBURY    Downloadable
Please click here to access this Bloomsbury resource
Description 1 online resource (xi, 129 pages).
Series The WISH List
WISH list.
Note Print version record.
Summary Joseph Cornell is one of the most significant American artists of the twentieth century. His work is highly visible in the world's most prestigious galleries, including the Tate Modern and MOMA. His famous boxes and his collage work have been admired and widely studied. However, Cornell also produced an extraordinary body of film work, a serious contribution to twentieth century avant-garde cinema, and this has been much less examined. In this book, Michael Piggott makes the case for the significance of Joseph Cornell's films. This is an important contribution to our knowledge of twentieth century culture for scholars and students of film and art history and American studies and for all those interested in pop culture, celebrity and fandom.
Note Online resource; title from PDF title page (Ebrary, viewed January 30, 2014).
Contents Cover page; Halftitle page; Series page; Title page; Copyright page; Contents; Editorial Preface; Acknowledgements; List of Illustrations; Where to Find Cornell's Films; Introduction; Silence; The Cornellian Century; Joseph Cornell versus Marcel Duchamp; CHAPTER ONE Found Footage; Tom Tom the Piper's Son; Return to the Scene of the Crime; Rose Hobart; An Aside on Sound; The Pleasures of Not Reading the Illegible; The Legible Image; 'Intention' as Aesthetic Component -- The Illegible Exam Script; Found Footage and Interpretation; Illegibility and Play; CHAPTER TWO Texture and Affect.
Haptic Visuality: A Short History of IntimacyHaptics and Politics; Forking Paths -- Schmarsow and Riegl; By Night With Torch And Spear; Moloch: Technology and Darkness; Joseph Cornell versus Cinephilia; CHAPTER THREE Time and the Everyday; Sleep; Dream; Cornell versus Surrealism; Cornell the Flâneur; Real Time; Frames, Morphing and Activity; Faster than Real Time; Silence on Spotify; Mapping; Slow Cinema; Angel and A Legend for Fountains; Conclusion -- The Self as Everyday Object; Notes; Filmography; Bibliography; Index.
Local Note Bloomsbury Publishing Bloomsbury Open Access
Subject Cornell, Joseph -- Criticism and interpretation.
Cornell, Joseph. (OCoLC)fst00005140
Experimental films.
Cultural studies.
Films, cinema.
Art & design styles: c 1900 to c 1960.
PERFORMING ARTS -- Reference.
Experimental films. (OCoLC)fst00918452
Genre/Form Electronic books.
Criticism, interpretation, etc. (OCoLC)fst01411635
Other Form: Print version: Pigott, Michael. Joseph Cornell versus cinema. London : Bloomsbury, 2013 1780934157 (OCoLC)825047364
ISBN 9781472503527 (electronic book)
147250352X (electronic book)
9781472503534
1472503538
9781780934150
1780934157
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