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LEADER 00000ngm  2200589 i 4500 
001    kan12849421 
003    CaSfKAN 
005    20220308022555.0 
006    m     o  c         
007    cr una---unuuu 
007    vz uzazuu 
008    220308p20222020cau085        o   vleng d 
028 52 12849421|bKanopy 
040    CaSfKAN|beng|erda|cCaSfKAN 
245 04 The Celluloid Bordello. 
264  1 |bFirst Run Features,|c2020. 
264  1 [San Francisco, California, USA] :|bKanopy Streaming,
300    1 online resource (streaming video file) (86 minutes):
       |bdigital, .flv file, sound 
336    two-dimensional moving image|btdi|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
344    digital 
347    video file|bMPEG-4|bFlash 
500    Title from title frames. 
500    Film 
500    In Process Record. 
511 0  Annie Sprinkle, Juba Kalamka, Natalie Brewster Nguyen, 
       Nicholas De Villiers, Sammie Lei, Scarlet Harlot 
518    Originally produced by First Run Features in 2020. 
520    Since the dawn of cinema, sex workers have served as muses
       to movie-makers. From turn of the century white slavery 
       pictures (The Girl who went Astray, 1900), to iconic rom-
       coms (Pretty Woman, 1990), to indie hits (Tangerine, 2015),
       hookers, hustlers, call girls, street walkers, strippers 
       and dommes have been staples of the silver screen. 
       Cinematic sex workers are punchlines, cautionary tales or 
       fantasy figures. They are brutalized, killed off, 
       sometimes rescued and almost always represented as if no 
       sex worker is in theater. Even in documentary films such 
       as Born Into Brothels (2004) or Tricked (2013), reality is
       distorted by filmmakers (almost always non-sex workers), 
       who are determined to show trauma, violence and pathos 
       rather than the resilience, successes, and thriving 
       communities that are the norm for many sex workers. THE 
       CELLULOID BORDELLO brings sex workers to the theater. With
       equal parts historical overview, critique, and homage, the
       film lets real life dommes, escorts, porn stars and 
       hustlers tell you which films they love and which they 
       hate, which get it right and which miss the mark and, most
       importantly, how perpetuating stereotypes in media affects
       real peoples' lives. 
538    Mode of access: World Wide Web. 
546    In English 
650  0 Feminism. 
650  0 Gender identity. 
650  0 Mass media. 
650  0 Motion pictures. 
650  0 Documentary films. 
650  0 Arts. 
650  0 Digital communications. 
650  0 Social sciences. 
700 1  Piccillo, Juliana,|efilm director. 
700 1  Sprinkle, Annie,|d1954-|eactor. 
700 1  Kalamka, Juba,|eactor. 
700 1  Brewster Nguyen, Natalie,|eactor. 
700 1  De Villiers, Nicholas,|eactor. 
700 1  Lei, Sammie,|eactor. 
700 1  Harlot, Scarlet,|eactor. 
710 2  First-Run Features (Firm),|edistributor. 
710 2  Kanopy (Firm),|edistributor. 
914    kan12849421 
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