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Author Picart, Caroline Joan, 1966-

Title Frames of evil : the Holocaust as horror in American film / Caroline Joan (Kay) S. Picart and David A. Frank ; with a foreword by Dominick LaCapra and an introduction by Edward J. Ingebretsen.

Publication Info. Carbondale : Southern Illinois University Press, [2006]
©2006

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Location Call No. Status
 University of Saint Joseph: Pope Pius XII Library - Standard Shelving Location  791.43658 P586F    Check Shelf
Description xxi, 186 pages : illustrations ; 23 cm
Bibliography Includes bibliographical references (pages 165-176) and index.
Contents The horror frame and the Holocaust film -- Horror in Holocaust films and the Holocaust in horror films -- Classic horror in Schindler's list -- The monstrous gaze : The silence of the lambs as the new Psycho -- Apt pupil : the Hollywood Nazi-as-monster flick -- Framing evil : toward an ethics of response.
Summary American filmmakers appropriate the "look" of horror in Holocaust films and often use Nazis and Holocaust imagery to explain evil in the world. In this book, the authors challenge this classic horror frame, the narrative and visual borders used to demarcate monsters and the monstrous. After examining the way in which directors and producers of the most influential American Holocaust movies default to this Gothic frame, they propose that multiple frames are needed to account for evil and genocide. Using Schindler's List, The Silence of the Lambs, and Apt Pupil as case studies, the authors provide substantive and critical analyses of these films that transcend the classic horror interpretation. For example, Schindler's List, has the appearance of a historical docudrama but actually employs the visual rhetoric and narrative devices of the Hollywood horror film. The authors argue that evil has a face: Nazism, which is configured as quintessentially innate, and supernaturally crafty. The text is augmented by thirty-six film and publicity stills, also explores the commercial exploitation of suffering in film and offers constructive ways of critically evaluating this exploitation. The authors suggest that audiences will recognize their participation in much larger narrative formulas that place a premium on monstrosity and elide the role of modernity in depriving millions of their lives and dignity, often framing the suffering of others in a manner that allows for merely "documentary" enjoyment.
Subject Holocaust, Jewish (1939-1945), in motion pictures.
Horror films -- United States -- History and criticism.
Added Author Frank, David A.
ISBN 0809327236 cloth alkaline paper
9780809327232 cloth alkaline paper
0809327244 paperback alkaline paper
9780809327249 paperback alkaline paper
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