LEADER 00000cam 2200817Ii 4500 001 ocm54479711 003 OCoLC 005 20180125060028.5 006 m o d 007 cr cnu---unuuu 008 040225s2004 ne ac ob 001 0 eng d 019 70771911|a437107005|a476252156|a607179953|a614509147 |a647328266|a667093865|a722227470|a728024803|a794697645 |a961594523|a965996315|a988438531|a991981343|a992056729 |a995000476|a1006438984|a1017996361 020 0585498180|q(electronic bk.) 020 9780585498188|q(electronic bk.) 020 9789048505258|q(electronic bk.) 020 9048505259|q(electronic bk.) 020 |z9053566341|q(paperback) 020 |z9789053566343|q(paperback) 020 |z9789053566336|q(hardback) 020 |z9053566333|q(hardback) 035 (OCoLC)54479711|z(OCoLC)70771911|z(OCoLC)437107005 |z(OCoLC)476252156|z(OCoLC)607179953|z(OCoLC)614509147 |z(OCoLC)647328266|z(OCoLC)667093865|z(OCoLC)722227470 |z(OCoLC)728024803|z(OCoLC)794697645|z(OCoLC)961594523 |z(OCoLC)965996315|z(OCoLC)988438531|z(OCoLC)991981343 |z(OCoLC)992056729|z(OCoLC)995000476|z(OCoLC)1006438984 |z(OCoLC)1017996361 037 22573/ctt45s1dz|bJSTOR 040 N$T|beng|epn|erda|cN$T|dYDXCP|dOCLCQ|dTNF|dOCLCQ|dINU|dADU |dE7B|dIDEBK|dFVL|dOCLCQ|dDEBSZ|dOCLCF|dZMC|dCOO|dOCLCE |dOCLCQ|dDKDLA|dOCLCO|dOCLCQ|dEBLCP|dMERUC|dOAPEN|dJSTOR |dCN8ML|dSFB|dOCLCQ|dOCL|dLOA|dOCLCO|dMOR|dPIFBR|dOCLCQ |dZCU|dOTZ|dOCLCQ|dAZK|dCOCUF|dAGLDB|dJG0|dIOG|dWY@|dU3W 042 dlr 043 e-fr--- 049 CKEA 050 4 PN1993.5.F7|bP45 2004eb 082 04 791.43/0944361|222 084 24.32|2bcl 100 1 Phillips, Alastair,|d1963- 245 10 City of darkness, city of light :|bémigré filmmakers in Paris 1929-1939 /|cAlastair Phillips. 264 1 Amsterdam :|bAmsterdam University Press,|c[2004] 264 4 |c©2004 300 1 online resource (253 pages) :|billustrations, portraits. 336 text|btxt|2rdacontent 337 computer|bc|2rdamedia 338 online resource|bcr|2rdacarrier 347 data file|2rda 380 Bibliography 490 1 Film culture in transition 504 Includes bibliographical references (pages 221-241) and index. 505 00 |g1.|tIntroduction.|tDiversity and Exchange -- Rethinking the National in European Cinema --|tCinema and the City -- |tParis and the 1930s --|tParis and French Cinema of the 1930s --|tFrance and the Émigrés --|tCity of Darkness, City of Light --|g2.|tThe City in Context.|tAn Historical Ambivalence --|tModernity and the City --|tNational Boundaries and Early European Sound Cinema --|tParis as Staging Ground for the Early Sound Wars --|tBerlin as Prestige Model and Place of Work for French Film Industry Professionals --|tPatterns of Exile and Emigration in the Pre-Nazi Era: The Russians and their Relationships to Paris and Berlin --|tTrade and Economic Emigration from Berlin to Paris before 1933 --|tCase Study One: Anatole Litvak --|tCase Study Two: Kurt Courant --|tThe Rise of the Nazis in Berlin and the Politics of Departure --|tThe Place of Jews in Paris --|tReception: The Émigrés' Arrival in Paris --|tReception: The French Film Industry --|tCase Study Three: Erich Pommer --|tCase Study Four: Robert Siodmak --|g3.|tCity of Light.|tParis as Spectacle -- |tParis and the Spectacle of Entertainment --|tParisian Journeys Across Time and Space --|g4.|tCity of Darkness. |tThe Camera Goes Down the Streets: 'The Hidden Spirit Under the Familiar Façade' --|tFraming the Urban Decor -- The Émigrés and Poetic Realism --|tSpaces of Crime and Pleasure in the City of Darkness --|tParisian Journeys Between the Past and the Present --|g5.|tDivided City. |tThe Divided City in Context --|tDivided Characters, Divided City --|tJourneys Across the Divided City --|g6. |tConclusion --|gAppendices.|tTobis In Paris Filmography 1929-1939 --|tOsso Filmography 1930-1939 --|tAnatole Litvak Filmography 1930-1936 --|tKurt Courant Filmography 1929-1939 --|tErich Pommer French-Language Filmography 1930-1934 --|tRobert Siodmak French-Language Filmography 1931-1939 --|tNero Films Filmography 1930-1939 --|tLa Crise est finie --|tLa Vie Parisienne --|tMauvaise graine --|tCoeur de lilas --|tDans les rues --|tCarrefour -- |tPièges --|tLiliom. 506 |3Use copy|fRestrictions unspecified|2star|5MiAaHDL 520 A ground-breaking study of the cinematic representation of Paris in the films of migr filmmakers who made it their first refuge from Hitler's Germany. 533 Electronic reproduction.|b[S.l.] :|cHathiTrust Digital Library,|d2010.|5MiAaHDL 538 Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002.|uhttp://purl.oclc.org/DLF/benchrepro0212 |5MiAaHDL 583 1 digitized|c2010|hHathiTrust Digital Library|lcommitted to preserve|2pda|5MiAaHDL 588 0 Print version record. 650 0 Motion picture producers and directors|zFrance|zParis. 650 0 Germans|zFrance|zParis. 650 7 The arts.|2bicssc 650 7 Film, TV and radio.|2bicssc 650 7 Germans.|2fast|0(OCoLC)fst00942100 650 7 Motion picture producers and directors.|2fast |0(OCoLC)fst01027225 650 7 Filmschaffender.|2gnd 650 7 Exil.|2gnd 650 07 Film.|2swd 650 17 Emigranten.|2gtt 650 17 Filmregisseurs.|2gtt 651 7 France|zParis.|2fast|0(OCoLC)fst01205283 651 7 Paris <Motiv>.|2swd 651 7 Deutsche.|2swd 651 7 Paris (France).|2swd 653 0 Multi-User. 776 08 |iPrint version:|aPhillips, Alastair.|tCity of darkness, city of light.|dAmsterdam : Amsterdam University Press, ©2004|z9053566333|w(OCoLC)54464998 830 0 Film culture in transition. 914 ocm54479711 994 92|bCKE
|