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020 0813596335|q(electronic book)
024 7 10.36019/9780813596358|2doi
035 (OCoLC)1121055427|z(OCoLC)1124761644
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245 00 Adventures in Shondaland :|bIdentity Politics and the
Power of Representation /|cRachel Alicia Griffin, Michaela
D.E. Meyer.
264 1 New Brunswick, NJ :|bRutgers University Press,|c[2018]
264 4 |c©2018
300 1 online resource :|b5 tables
336 text|btxt|2rdacontent
337 computer|bc|2rdamedia
338 online resource|bcr|2rdacarrier
347 text file|bPDF|2rda
380 Dictionary
504 Includes bibliographical references and index.
505 00 |tFrontmatter --|tCONTENTS --|tIntroduction: Riding
Shondaland's Rollercoasters: Critical Cultural Television
Studies in the 21st Century /|rMeyer, Michaela D. E. /
Griffin, Rachel Alicia --|tPart I: Quality television's
cultural dominance: the auteur comes to television studies
--|t1. Trauma, Spin, and Murder: The Carnival Spectacle in
Shondaland /|rJones, Richard G. / Vajjala, Emily --|t2.
Wounded Detachments, Differential Alliances: Beyond
Identity and Telos in Shondaland's Heterotopia /
|rMcalister, Joan Faber --|t3. Abortion in Shondaland:
Daring Departures from Oppressive Industry Conventions /
|rFurgerson, Jessica L. --|t4. Soundtracking Shondaland:
Televisual Identity Mapped through Music /|rBillinson,
Jennifer / Meyer, Michaela D. E. --|tPart II: Shondaland's
paradoxical identity politics and the fantastical "post" -
-|t5. Race (Lost and Found) in Shondaland: The Rise of
Multiculturalism in Prime-Time Network Television /
|rPetermon, Jade --|t6. Emb(Race)ing Visibility: Callie
Torres's (Im)Perfect Operation of Bisexuality on Grey's
Anatomy /|rAbdi, Shadee / Calafell, Bernadette Marie --
|t7. The Problematics of Postracial Colorblindness:
Exploring Cristina Yang's Asianness in Grey's Anatomy /
|rYoung, Stephanie L. / Pham, Vincent --|t8. Interracial
Intimacies: From Shondaland to the Postracial Promised
Land /|rWashington, Myra / Harris, Tina M. --|tPart III:
Consumption, ethics, and morality: shondaland fandom as
cultural meaning making --|t9. #BlackLivesMatter on
Scandal: Analyzing Divergent Fan Reactions to "The Lawn
Chair" Episode /|rOrbe, Mark P. --|t10. Blurring
Production Boundaries with Fan Empowerment: Scandal as
Social Television /|rIngram-Waters, Mary / Balderas,
Leslie --|t11. Media Criticism and Morality Policing on
Twitter: Fan Responses to How to Get Away with Murder /
|rAmes, Melissa --|t12. Dying for the Next Episode: Living
and Working within Shondaland's Medical Universe /
|rSwenson, Sean --|tNotes on Contributors --|tIndex
520 Shonda Rhimes is one of the most powerful players in
contemporary American network television. Beginning with
her break-out hit series Grey's Anatomy, she has
successfully debuted Private Practice, Scandal, How to Get
Away with Murder, The Catch, For The People, and Station
19. Rhimes's work is attentive to identity politics, "post
-" identity politics, power, and representation,
addressing innumerable societal issues. Rhimes
intentionally addresses these issues with diverse
characters and story lines that center, for example, on
interracial friendships and relationships, LGBTIQ
relationships and parenting, the impact of disability on
familial and work dynamics, and complex representations of
womanhood. This volume serves as a means to theorize
Rhimes's contributions and influence by inspiring
provocative conversations about television as a deeply
politicized institution and exploring how Rhimes fits into
the implications of twenty-first century television.
546 In English.
588 0 Description based on online resource; title from PDF title
page (publisher's Web site, viewed 04. Sep 2019).
600 10 Rhimes, Shonda|xCriticism and interpretation.
600 17 Rhimes, Shonda.|2fast|0(OCoLC)fst01935648
610 20 ShondaLand (Firm)|xHistory.
650 0 Women television producers and directors|zUnited States.
650 0 African American television producers and directors.
650 0 African American women screenwriters.
650 0 Television broadcasting|xSocial aspects|zUnited States.
650 7 PERFORMING ARTS / General.|2bisacsh
650 7 African American television producers and directors.|2fast
|0(OCoLC)fst00799415
650 7 African American women screenwriters.|2fast
|0(OCoLC)fst00799523
650 7 Television broadcasting|xSocial aspects.|2fast
|0(OCoLC)fst01146764
650 7 Women television producers and directors.|2fast
|0(OCoLC)fst01178614
651 7 United States.|2fast|0(OCoLC)fst01204155
655 0 Electronic books.
655 7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635
655 7 History.|2fast|0(OCoLC)fst01411628
700 1 Abdi, Shadee.
700 1 Ames, Melissa,|d1978-
700 1 Balderas, Leslie.
700 1 Billinson, Jennifer.
700 1 Calafell, Bernadette.
700 1 Furgerson, Jessica L.
700 1 Griffin, Rachel Alicia,|eeditor.
700 1 Griffin, Rachel Alicia.
700 1 Harris, Tina.
700 1 Ingram-Waters, Mary.
700 1 Jones, Richard G.
700 1 Faber McAlister, Joan.
700 1 Meyer, Michaela D. E.
700 1 Meyer, Michaela D. E.,|eeditor.
700 1 Orbe, Mark P.
700 1 Petermon, Jade.
700 1 Pham, Vincent.
700 1 Swenson, Sean.
700 1 Vajjala, Emily.
700 1 Washington, Myra.
700 1 Young, Stephanie.
776 08 |iPrint version:|tAdventures in ShondaLand.|dNew Brunswick,
New Jersey : Rutgers University Press, [2018]
|z9780813596327|w(DLC) 2018004645|w(OCoLC)1029094999
914 on1121055427
994 92|bGTK
