LEADER 00000cam  2200517Ii 4500 
001    ocm70876773  
003    OCoLC 
005    20160518080041.4 
006    m     o  d         
007    cr cnu---unuuu 
008    060811s2005    ne      ob    001 0 eng d 
019    71447595|a144525483|a714567336|a764536380|a816497066 
020    1423791452|q(electronic bk.) 
020    9781423791454|q(electronic bk.) 
020    9401202788|q(electronic bk.) 
020    9789401202787|q(electronic bk.) 
035    (OCoLC)70876773|z(OCoLC)71447595|z(OCoLC)144525483
       |z(OCoLC)714567336|z(OCoLC)764536380|z(OCoLC)816497066 
040    N$T|beng|epn|erda|cN$T|dYDXCP|dOCLCQ|dOCLCG|dOCLCQ|dE7B
       |dOCLCQ|dTUU|dOCLCQ|dCBT|dOCLCQ|dZCU|dOCLCO|dOCLCF|dOCLCQ
       |dCN3GA|dCOD|dOCLCQ|dEBLCP|dOCLCQ 
049    GTKE 
050  4 PN57.C33|bC37 2005eb 
082 04 791.437|222 
245 00 Carmen :|bfrom silent film to MTV /|cedited by Chris 
       Perriam and Ann Davies. 
264  1 Amsterdam ;|aNew York :|bRodopi,|c2005. 
300    1 online resource (224 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  Critical studies ;|vv. 24 
504    Includes bibliographical references and index. 
505 0  Introduction; Space, Time and Gender in the Film d'Art 
       Carmen of 1910; Geraldine Farrar and Cecil B. DeMille: The
       Effect of Opera on Film and Film on Opera in 1915; Carmen 
       and Early Cinema: The Case of Jacques Feyder (1926); 
       Shadow and Substance: Reiniger's Carmen Cuts Her Own 
       Capers; A Carmenesque Dietrich in The Devil Is A Woman: 
       Erotic Scenarios, Modern Desires and Cultural Differences 
       Between the USA and Spain; Rehispanicizing Carmen: 
       Cultural Reappropriations in Spanish Cinema; Putting the 
       Blame on Carmen: The Rita Hayworth Version. 
505 8  Screen Politics: Otto Preminger's Carmen JonesThe 
       Dissonant Refrains of Jean-Luc Godard's Prénom Carmen; 
       Carlos Saura's Carmen: Hybridity and the Inescapable 
       Cliché; Cinematic Carmen and the 'Oeil Noir'; The 
       Turbulent Movement of Forms: Rosi's Postmodern Carmen; 
       Carmen as Perennial Fusion: From Habanera to Hip-Hop; List
       of Contributors; Index. 
520    Since Prosper Mérimée and Georges Bizet (with his 
       librettists Meilhac and Halévy) brought the figure of the 
       Spanish Carmen to prominence in the nineteenth century an 
       astonishing eighty or so film versions of the story have 
       been made. This collection of essays gathers together a 
       unique body of scholarly critique focused on that Carmen 
       narrative in film. It covers the phenomenon from a number 
       of aspects: cultural studies, gender studies, studies in 
       race and representation, musicology, film history, and the
       history of performance. The essays take us from the days 
       of silent film to twenty-first ce. 
588 0  Print version record. 
650  0 Carmen (Fictitious character) 
650  0 Film adaptations. 
650  7 PERFORMING ARTS|xFilm & Video|xReference.|2bisacsh 
650  7 Carmen (Fictitious character)|2fast|0(OCoLC)fst00847609 
650  7 Film adaptations.|2fast|0(OCoLC)fst00924250 
700 1  Perriam, Chris. 
700 1  Davies, Ann,|d1961- 
776 08 |iPrint version:|tCarmen.|dAmsterdam ; New York : Rodopi, 
       2005|z9042019646|w(OCoLC)63181786 
830  0 Critical studies (Amsterdam, Netherlands) ;|vv. 24. 
914    ocm70876773 
994    93|bGTK