LEADER 00000cam  2200517Ii 4500 
001    ocn954720059 
003    OCoLC 
005    20200714082807.4 
006    m     o  d         
007    cr cnu---unuuu 
008    160802s2017    nyu     ob    000 0 eng   
010      2016035348 
019    1100871671 
020    9781501323027|q(electronic book) 
020    1501323024|q(electronic book) 
020    9781501323034|q(electronic book) 
020    1501323032|q(electronic book) 
035    (OCoLC)954720059|z(OCoLC)1100871671 
040    DLC|beng|erda|epn|cDLC|dOCLCO|dOCLCQ|dBLOOM|dN$T|dYDX
       |dOCLCF|dUKAHL|dOCLCQ|dOCLCO 
049    GTKE 
050  4 ML410.B17375 
082 04 781.5/46|223 
100 1  Norelli, Clare Nina,|eauthor. 
245 10 Soundtrack from Twin Peaks /|cClare Nina Norelli. 
264  1 New York :|bBloomsbury Academic,|c2017. 
300    1 online resource. 
336    text|btxt|2rdacontent 
337    computer|bn|2rdamedia 
338    online resource|bnc|2rdacarrier 
490 1  33 1/3 
504    Includes bibliographical references. 
520    "When Twin Peaks debuted on the ABC network on the night 
       of April 8, 1990, thirty-five million viewers tuned in to 
       some of the most unusual television of their lives. 
       Centered on an eccentric, coffee-loving FBI agent's 
       investigation into the murder of a small town teen queen, 
       Twin Peaks brought the aesthetic of arthouse cinema to a 
       prime time television audience and became a cult sensation
       in the process. Part of Twin Peaks' charm was its 
       unforgettable soundtrack by Angelo Badalamenti, a frequent
       and reoccurring collaborator of film director and Twin 
       Peaks co-creator David Lynch. Badalamenti's evocative 
       music, with its haunting themes and jazzy moodscapes, 
       served as a constant in a narrative that was often 
       unhinged and went on to become one of the most popular and
       influential television soundtracks of all time. How did a 
       unique collaborative process between a director and 
       composer result in a perfectly post-modern soundtrack that
       ran the gamut of musical styles from jazz to dreamy pop to
       synthesizer doom and beyond? And how did Badalamenti's 
       musical cues work with Twin Peaks' visuals, constantly 
       evolving and having the ability to break with television 
       convention; playing off viewers' expectations and 
       associations? Under the guidance of Angelo Badalamenti's 
       diverse sonic palette Clare Nina Norelli delves deep into 
       the world of Twin Peaks to answer all of these questions 
       and more."--Bloomsbury Publishing. 
588 0  Online resource; title from PDF title page (EBSCO, viewed 
       February 27, 2018) 
600 10 Badalamenti, Angelo|xCriticism and interpretation. 
600 17 Badalamenti, Angelo.|2fast|0(OCoLC)fst01987718 
630 00 Twin Peaks (Television program : 1990-1991) 
630 07 Twin Peaks (Television program)|2fast|0(OCoLC)fst01377594 
650  0 Television music|xHistory and criticism. 
650  7 MUSIC|xInstruction & Study|xTheory.|2bisacsh 
650  7 Television music.|2fast|0(OCoLC)fst01146957 
655  7 Criticism, interpretation, etc.|2fast|0(OCoLC)fst01411635 
830  0 33 1/3. 
914    ocn954720059 
994    92|bGTK