LEADER 00000cam  2200673Ii 4500 
001    ocn967501847 
003    OCoLC 
005    20171229115055.0 
008    170101t20172017ne ab    bc   001 0 eng d 
010      2017933011 
020    9780300229134|q(YUP ;)|q(hardback) 
020    0300229135|q(YUP ;)|q(hardback) 
020    9789462301696|q(Mercatorfonds ;)|q(hardback) 
020    9462301697|q(Mercatorfonds ;)|q(hardback) 
035    (OCoLC)967501847 
040    BTCTA|beng|erda|cBTCTA|dBDX|dVU@|dRRR|dYDX|dOCLCF|dUBY
       |dUAB|dMAV|dCAM|dZVP|dOCL|dNZAUC|dOCLCO|dJAS 
043    e-fr---|ae-ne--- 
049    CKEA 
050  4 NE647.3|b.R68 2017 
082 04 769.94409/034|223 
100 1  Rosa de Carvalho, Fleur Roos,|eauthor. 
245 10 Prints in Paris 1900 :|bfrom elite to the street /|cFleur 
       Roos Rosa de Carvalho ; with a preface by Phillip Dennis 
       Cate. 
246 30 From elite to the street 
264  1 Amsterdam :|bVan Gogh Museum ;|aBrussels :|bMercatorfonds,
       |c[2017] 
264  2 Brussels :|bDistributed in Belgium, the Netherlands and 
       Luxembourg by Mercatorfonds 
264  2 New Haven ;|aLondon :|bDistributed outside Belgium, the 
       Netherlands and Luxembourg by Yale University Press 
264  4 |c©2017 
300    191 pages :|billustrations (chiefly color), color map ;
       |c39 cm +|e1 print (25 x 33 cm) 
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
336    cartographic image|bcri|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    Published to accompany the exhibition "Prints in Paris 
       1900: from elite to the street", Van Gogh Museum, 
       Amsterdam, 3 March-11 June 2017, and Mitsubishi Ichigokan 
       Museum, Tokyo, 17 October 2017-17 January 2018. 
500    "Presents the French prints collection of the Van Gogh 
       Museum"--Cover. 
504    Includes bibliographical references (pages 182-185) and 
       index. 
520    "The French fin de siècle (1890-1905) was the most famous 
       period in the art of printmaking. Pierre Bonnard, 
       Alexandre Steinlen and Henri de Toulouse-Lautrec, among 
       others, experimented intensively with the new printing 
       techniques, with striking and beautiful results. The 
       greatest innovation of these artists was the way they 
       applied their talent to every level of the market: from 
       deluxe proofs for the elite, especially for collectors, to
       applied graphic work for a broader audience. The reader of
       the book will be welcomed into these worlds from high art 
       to art for 'the street'. The attractively designed book 
       will be richly illustrated with fine examples of posters, 
       sheet music and magazine illustrations, as well as the 
       most exclusive and luxury collector's editions. The Van 
       Gogh Museum with its fine and broad collection of 1,800 
       prints is a world renowned centre of research for Van Gogh
       and for his times and contemporaries. Vincent van Gogh 
       (1853-1890) is often considered to be a genius in a class 
       of his own, an exceptional self-taught painter who paid 
       little attention to the art world around him. In reality, 
       Van Gogh learned extensively from others, exchanged ideas 
       with his contemporaries, and often made use of prevailing 
       methods and techniques to hone his skills. The culmination
       of an extensive research project undertaken by the Van 
       Gogh Museum, this extraordinary book explores the 
       workmanship behind his artistry. Essays address how he 
       practiced his skills and adopted various sketching and 
       painting techniques; acquired information about materials;
       learned about the physical characteristics of canvasses, 
       paint, paper, chalk, and other materials; and how he 
       approached working on paper and canvas. Showing his work 
       alongside that of other artists demonstrates the degree to
       which he followed examples set by his contemporaries. 
       Alongside the examination of Van Gogh's working methods, 
       contributors look at the work and research of modern 
       conservators." -- provided by publisher. 
610 20 Van Gogh Museum, Amsterdam|vExhibitions. 
610 27 Van Gogh Museum, Amsterdam.|2fast|0(OCoLC)fst00717316 
648  7 1800-1999|2fast 
650  0 Prints, French|y19th century|vExhibitions. 
650  0 Prints, French|y20th century|vExhibitions. 
650  0 Prints|zFrance|xTechnique|xHistory|y19th century
       |vExhibitions. 
650  0 Prints|zFrance|xTechnique|xHistory|y20th century
       |vExhibitions. 
650  0 Prints|zNetherlands|zAmsterdam|vExhibitions. 
650  7 Prints.|2fast|0(OCoLC)fst01076812 
650  7 Prints, French.|2fast|0(OCoLC)fst01076904 
650  7 Prints|xTechnique.|2fast|0(OCoLC)fst01076838 
651  7 France.|2fast|0(OCoLC)fst01204289 
651  7 Netherlands|zAmsterdam.|2fast|0(OCoLC)fst01204180 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
655  7 History.|2fast|0(OCoLC)fst01411628 
655  7 Exhibition catalogs.|2lcgft 
700 1  Cate, Phillip Dennis,|eauthor of introduction, etc. 
710 2  Van Gogh Museum, Amsterdam,|ehost institution,|eissuing 
       body. 
710 2  Mitsubishi Ichigōkan Bijutsukan,|ehost institution. 
994    C0|bCKE