LEADER 00000cam  2200625Ii 4500 
001    ocn863077869 
003    OCoLC 
005    20141126044345.0 
008    131115t20142014lauac    bc   000 0 eng d 
010      2013949519 
016 7  016654372|2Uk 
019    882575669 
020    9780615878300 
020    061587830X 
035    (OCoLC)863077869|z(OCoLC)882575669 
040    YDXCP|beng|erda|cYDXCP|dBTCTA|dBDX|dUKMGB|dUOK|dCLE|dOLC
       |dZCU|dJPG|dUAB|dOCLCQ|dOCLCO|dOCLCF|dTOH 
049    CKEA 
050  4 N6538.N5|bV56x 2014 
082 04 704.039607307476318|223 
092    704.0000 
245 04 The visual blues /|cedited by Natalie A. Mault ; essays by
       R.A. Lawson, John Lowe, Natalie A. Mault, Margaret Rose 
       Vendryes ; with artist biographies by Lauren Barnett and 
       Natalie A. Mault. 
264  1 Baton Rouge :|bLSU Museum of Art,|c[2014] 
264  4 |c©2014 
300    87 pages :|billustrations (some color), portraits ;|c28 cm
336    text|btxt|2rdacontent 
336    still image|bsti|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    "Published in conjunction with the exhibition 'The Visual 
       Blues', presented at the LSU Museum of Art, Baton Rouge, 
       from March 8 to July 13, 2014, and at the Telfair Museums,
       Savannah, from January 30 to May 3, 2015"--Colophon. 
504    Includes bibliographical references (pages 84-86). 
505 0  Shake that thang : dancing figures and figures that dance 
       in African American art / Margaret Rose Vendryes -- Blues,
       jazz, and the literature of the Harlem Renaissance / John 
       Lowe -- Hearing the blues in the art of the Harlem 
       Renaissance / R.A. Lawson -- "Money, you've got lots of 
       friends" : patronage in the Harlem Renaissance / Natalie 
       A. Mault. 
520    The visual blues explores the enormous impact that blues 
       and jazz music emanating from the Deep South and moving 
       north had on artists associated with the Harlem 
       Renaissance. The Visual Blues shows how the artists and 
       musicians of the Harlem Renaissance blurred artistic 
       boundaries, drawing inspiration from each other and 
       contributing to each other's art forms. The art scene in 
       Harlem from 1919 to approximately 1940 encouraged a 
       melding of art, music, literature, and poetry, providing a
       creative haven and outlet for transcending hardships and 
       shattering racial stereotypes. The visual blues features a
       wide range of artists, some of whom already have 
       established reputations and art markets, and others who 
       are under-recognized and are rarely seen publicly. The 
       visual blues comprises sixty-four paintings, drawings, 
       prints, photographs, and sculptures by some of the most 
       recognized and celebrated African-American artists of the 
       Harlem Renaissance. 
648  7 1900 - 1999|2fast 
650  0 Harlem Renaissance|vExhibitions. 
650  0 African American art|y20th century|vExhibitions. 
650  0 Music|xAfrican American influences|vExhibitions. 
650  0 Blues (Music) in art|vExhibitions. 
650  7 African American art.|2fast|0(OCoLC)fst00799012 
650  7 Blues (Music) in art.|2fast|0(OCoLC)fst01902574 
650  7 Harlem Renaissance.|2fast|0(OCoLC)fst00951467 
650  7 Music|xAfrican American influences.|2fast
       |0(OCoLC)fst01030276 
655  7 Exhibition catalogs.|2fast|0(OCoLC)fst01424028 
700 1  Mault, Natalie A.,|eeditor,|eauthor. 
700 1  Lawson, R. A.,|d1974-|eauthor. 
700 1  Lowe, John,|d1945-|eauthor. 
700 1  Vendryes, Margaret Rose,|d1955-|eauthor. 
700 1  Barnett, Lauren,|eauthor. 
710 2  Louisiana State University (Baton Rouge, La.).|bMuseum of 
       Art,|ehost institution. 
710 2  Telfair Museums (Savannah, Ga.),|ehost institution. 
938    Baker and Taylor|bBTCP|nBK0014027062 
938    Brodart|bBROD|n108826260 
938    YBP Library Services|bYANK|n11353010 
994    92|bCKE