LEADER 00000cam  2200000 a 4500 
001    ocm17765811 
003    OCoLC 
005    20020212174922.0 
008    880315s1988    nyua     b    001 0 eng   
010       88010247 
020    0313263647|qlibrary binding|qalkaline paper 
035    (OCoLC)17765811 
040    DLC|beng|cDLC|dSTJ|dWaOLN 
049    STJJ 
050 00 NX452|b.E56 1988 
082 00 700/.88042|219 
092    700.88|bE34E 
245 00 Eighteenth-century women and the arts /|cedited by 
       Frederick M. Keener and Susan E. Lorsch. 
246 3  Eighteenth century women and the arts 
264  1 New York :|bGreenwood Press,|c1988. 
300    xv, 301 pages :|billustrations ;|c24 cm. 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
490 1  Contributions in women's studies,|x0147-104X ;|vno. 98 
490 1  [Hofstra University's cultural and intercultural studies] 
500    "Prepared under the auspices of Hofstra University." 
500    Papers selected from the Conference on Eighteenth-Century 
       Women and the Arts, held at Hofstra University, Oct. 10-12,
       1985. 
504    Includes bibliographies and index. 
505 0  Julie de Lespinasse: a mirror for the enlightenment -- 
       Gibbon versus law: enlightenment and pietist standards for
       women -- Two anomalous women: Elizabeth Carter and 
       Catherine Talbot -- A tax on old maids and bachelors: 
       Frances Brooke's Old Maid -- Beaumarchais: a woman's place
       -- "For softness she": gender ideology and aesthetics in 
       eighteenth-century England -- Emilie or Emile? Madame 
       d'Epinay and the education of girls in eighteenth-century 
       France -- Mrs. Hannah 
505 0  Cowley, Playwright -- "My Want of Skill": apologias of 
       British women poets, 1660-1800 -- The poet as mermaid: 
       images of self in Margaret Cavendish and others -- Women 
       poets and the pastoral trap: the case of Mary Whateley -- 
       Pamela's identity sewn in clothes -- Graffigny and 
       Riccoboni on the language of the woman writer -- Plot, 
       voice, and narrative Oubli: Juliette Catesby's twice-told 
       tale -- Defining the educative process: Maria Edgeworth's 
       Belinda -- The women 
505 0  musicians of Venice -- An English "feminist" in the 
       Turkish harem: a portrait of Lady Mary Wortley Montagu -- 
       William Hogarth's moral message: the politics of 
       eighteenth-century middle-class reality -- The letter 
       theme: Fragonard and the image of women -- Ambition, 
       politics, and professionalism: two women painters -- 
       Biography, criticism, art history: Angelica Kauffman in 
       context -- A woman artist's legacy: the autobiography of 
       Elisabeth Vigée Le Brun -- Educating women 
505 0  in the arts: Mme. Campan's school -- Statistical profile 
       of women writing in English from 1660 to 1800 -- Revising 
       the pedagogy of the traditional scholarly methods course: 
       the Brandeis Elizabeth Griffith collective -- On editing 
       Elizabeth Griffith's The Platonic Wife -- Ambivalence and 
       writing: Elizabeth and Richard Griffith's A Series of 
       Genuine Letters between Henry and Frances -- "How nicely 
       circumspect must your conduct be": double standards in 
       Elizabeth Griffith's 
505 0  The History of Lady Barton -- "Intruding herself into the 
       chair of criticism": Elizabeth Griffith and The Morality 
       of Shakespeare's Drama Illustrated. 
650  0 Arts, Modern|y18th century. 
650  0 Women artists|vBiography|xHistory and criticism. 
650  0 Feminism and the arts. 
700 1  Keener, Frederick M.,|d1937- 
700 1  Lorsch, Susan E.,|d1950- 
711 2  Conference on Eighteenth-Century Women and the Arts|d(1985
       :|cHofstra University) 
830  0 Hofstra University cultural & intercultural studies. 
830  0 Contributions in women's studies,|x0147-104X ;|vno. 98. 
898    qbibliographies 
910 99 CARL0001448168 
998  0 L504.1 OCLC 98/04/03  07:54:37