Skip to content
You are not logged in |Login  
     
Limit search to available items
Book Cover
book
BookBook
Author Lagerlöf, Margaretha Rossholm, 1943- author.

Title The sculptures of the Parthenon : aesthetics and interpretation / Margaretha Rossholm Lagerlöf.

Publication Info. New Haven, CT : Yale University Press, [2000]

Copies

Location Call No. Status
 University of Saint Joseph: Pope Pius XII Library - Standard Shelving Location  733 L174S    Check Shelf
Description viii, 204 pages : illustrations (some color) ; 22 cm
Bibliography Includes bibliographical references (pages 191-198) and index.
Contents I. Approach. The Parthenon -- familiar and alien. The temple on the hill -- II. Analysis. Depiction. Vision and image. The frieze as perceptual image. The pediment as perceptual image. Visual Narrative. The frieze as visual narrative. The pediment as visual narrative. Symbol. The Parthenon sculptures as symbols. The goddess. Democracy. The fragment -- III. Meaning. The existence of the gods. gods operate: limits and the breaking of boundaries. Plato's similes: an analogy. The paradoxes of art.
Summary This generously illustrated book provides a complete overview of current knowledge about the sculptures of the Parthenon and suggests new interpretations of the ancient temple's sculptural creations. Margaretha Lagerlöf steps back from viewing the fragments of the sculptures that remain today to focus more clearly on their meanings in the light of classical Athenean knowledge and society. She considers what the sculptures reveal about the Greek sense of democracy and how they characterize women's lives in a warrior culture. Using Plato's philosophy and the visually oriented similes of his myths, Lagerlöf offers a new decoding of the aesthetic structure of the Parthenon's entire sculptural ensemble. The book compares the sculptures of the pediments to those of the metopes and the frieze, uncovering subtle differences in both the nature and the content of their images. Whereas the pediments represent divine elements, for example, the frieze is seen as the domain of human beings, representing events and also the stage of history when humans no longer have direct access to the presence of the gods. The frieze can be interpreted as an invocation of this presence, a means of regaining closeness with the gods. Using a multifaceted and imaginative approach to the sculptures of the Parthenon, Lagerlöf finds powerful new meaning in them as well as an enhanced appreciation of their Athenian creators. -- From amazon.com.
Subject Parthenon (Athens, Greece)
Παρθενώνας (Αθήνα, Ελλάδα)
Parthenon (Athens, Greece) (OCoLC)fst00631410
Sculpture, Greek -- Greece -- Athens.
Sculpture, Greek.
Plastieken.
Parthenon.
Sculpture, Greek. (OCoLC)fst01109689
Greece -- Athens. (OCoLC)fst01204474
Plastik (DE-588)4046277-8
Athen -- Parthenon.
Bauplastik (DE-588)4004913-9
Fries (DE-588)4018607-6
Relief (DE-588)4049373-8
Parthenon Athen (DE-588)4068909-8
Indexed Term Parthenon (Atenas, Grecia)
Escultura griega Atenas (Grecia)
ISBN 0300073917 (cloth ; alk. paper)
9780300073911 (cloth ; alk. paper)
-->
Add a Review