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LEADER 00000cam  2200805Ii 4500 
001    ocn952391352 
003    OCoLC 
005    20200419055308.6 
006    m     o  d         
007    cr nn|008mamaa 
008    160420s2016    xxk     o     000 0 eng d 
010      2016296454 
019    1084381204|a1112575979|a1112821678|a1119483339 
020    |z9781137596352|q(e-pub) 
020    |z113759635X|q(e-pub) 
020    |z9781137596338|q(hardback) 
020    1137596333|qhardback 
020    9781137596345 
020    1137596341 
020    9781137596338 
024 7  10.1057/9781137596345|2doi 
035    (OCoLC)952391352|z(OCoLC)1084381204|z(OCoLC)1112575979
       |z(OCoLC)1112821678|z(OCoLC)1119483339 
037    |nTitle purchased via APUC SHEDL / ScopNet ebook agreement
       |nLiterature, Cultural and Media Studies (Springer-41173) 
040    CN3GA|beng|erda|epn|cCN3GA|dOCLCO|dOCLCF|dOCLCQ|dEBLCP
       |dUAB|dIOG|dOTZ|dVLB|dOCL|dU3W|dOCLCQ|dOH1|dKSU|dOCLCQ|dAU
       @|dOCLCQ|dAUD|dLEAUB|dOCLCQ|dHS0|dVT2|dERF|dADU|dOCLCQ
       |dOCLCA|dOCLCQ 
041 1  eng|hger 
049    STJJ 
050  4 PN2000-PN3307 
050  4 PN2061|b.V3513 2016 
072  7 AN|2bicssc 
072  7 PER011000|2bisacsh 
082 04 792|223 
100 1  Valerie, Susanne,|eauthor. 
245 10 Actors and the art of performance :|bunder exposure /
       |cSusanne Valerie ; translated from the German by Laura 
       Radosh and Alice Lagaay. 
264  1 Houndsmills, Basingstoke, Hampshire :|bPalgrave Macmillan,
       |c2016. 
300    1 online resource (XI, 120 pages). 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
347    text file|bPDF|2rda 
490 1  Performance Philosophy 
504    Includes bibliographical references. 
505 0  Part I: Hits -- 1. Auditorium X -- Double stalemate -- 
       Turning point, peripeteia -- Turn around -- i, mine -- 2. 
       Speculations -- Actors' fears -- Crying -- Child's play --
       Exposed -- With-out me -- 3. Black out -- First time at 
       the theater -- Part II: Experts in being? -- 4. The actor:
       A creature of fable -- why do you want to be an actor? -- 
       5. The Causa Corpora -- The kiss of Olympia -- Machine 
       against man -- The actor's trump card -- 6. The gift of 
       acting -- Skipping -- Prejudice -- Subject-based thinking 
       versus stage experience -- Master and servant -- Bodies on
       stage -- Innocence of becoming -- Language and speaking --
       Digesting speech -- Counterwords -- The Other, the others 
       -- Affect versus thought -- Thinking and acting -- 
       Repetition -- 7. The gift of death -- Tu es mort -- 
       Theater as a symbolic death -- Point of no return -- 
       Felicity -- a salto mortale -- Our friend Touchstone -- 8.
       Finale and punctum -- Why do you want to be an actor? 
520    Actors and the Art of Performance: Under Exposure combines
       the authoŕℓℓs two main biographical paths: her 
       professional commitment to the fi elds of both theater and
       philosophy. The art of acting on stage is analyzed here 
       not only from the theoretical perspective of a spectator 
       but also from the perspective of the actor. The author 
       draws on her experience as both a theater actor and a 
       university professor whose teachings in the art of acting 
       rely heavily on her own experience and also on her 
       philosophical knowledge. The book is unique not only in 
       terms of its content but also in terms of its style. 
       Written in a multiplicity of voices, the text oscillates 
       between philosophical reasoning and narrative forms of 
       writing, including micronarratives, fables, parables, and 
       inter alia by Carroll, Hoff mann, and Kleist. Hence the 
       book claims that a transdisciplinary dialogue between the 
       art of acting and the art of philosophical thinking calls 
       for an aesthetic study that questions and begins to seek 
       alternatives to traditionally established and ingrained 
       formats of philosophy. This book is open access under a CC
       BY license. 
590    SpringerLink|bSpringer Nature Open Access eBooks 
650  0 Acting|xPhilosophy. 
650  0 Performing arts. 
650  0 Actresses. 
650  0 Theater|xPhilosophy. 
650  0 Performance art. 
650  0 Acting. 
650  0 Culture|xStudy and teaching. 
650  0 Theater. 
650  7 Acting.|2fast|0(OCoLC)fst00796146 
650  7 Acting|xPhilosophy.|2fast|0(OCoLC)fst00796155 
650  7 Actresses.|2fast|0(OCoLC)fst00796328 
650  7 Culture|xStudy and teaching.|2fast|0(OCoLC)fst00885086 
650  7 Performance art.|2fast|0(OCoLC)fst01057852 
650  7 Performing arts.|2fast|0(OCoLC)fst01057887 
650  7 Theater.|2fast|0(OCoLC)fst01149217 
650  7 Theater|xPhilosophy.|2fast|0(OCoLC)fst01149273 
650  7 Drama.|2hilcc 
650  7 Music, Dance, Drama & Film.|2hilcc 
700 1  Radosh, Laura,|etranslator. 
700 1  Lagaay, Alice,|etranslator. 
776 08 |iPrinted edition:|z9781137596338 
830  0 Performance philosophy. 
914    ocn952391352 
994    92|bSTJ 
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 University of Saint Joseph: Pope Pius XII Library - Internet  WORLD WIDE WEB E-BOOK Springer    Downloadable
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 University of Saint Joseph: Pope Pius XII Library - Internet  WORLD WIDE WEB E-BOOK Springer    Downloadable
Please click here to access this Springer resource