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001 ocm35835723
003 OCoLC
005 20120121135355.0
008 961029t19971997cau b s001 0 eng
010 96039460
015 GB98-53414
020 0520083105|qalkaline paper
020 9780520083103|qalkaline paper
035 (OCoLC)35835723
035 (OCoLC)35835723
040 DLC|beng|cDLC|dUKM|dBAKER|dNLGGC|dBTCTA|dYDXCP|dUAB|dGEBAY
|dSTJ
043 n-us---
049 STJJ
050 00 E169.12|b.H49 1997
082 00 973.9|221
084 15.85|2bcl
092 973.9|bH518D
100 1 Henriksen, Margot A.
245 10 Dr. Strangelove's America :|bsociety and culture in the
atomic age /|cMargot A. Henriksen.
246 3 Doctor Strangelove's America
264 1 Berkeley :|bUniversity of California Press,|c[1997]
264 4 |c©1997
300 xxv, 451 pages ;|c24 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references (pages 389-435) and
index.
505 0 Preface: Dr. Strangelove's America: or How Americans
Learned to Stop Worrying and Live with the Bomb -- Pt. 1.
Knowing Sin: The Vertiginous End to American Innocence.
Ch. 1. Top of the World: The Corrupting Contours of the
Cold War. Ch. 2. Vertigo: The Unhinged Moral Universe of
Cold War America -- Pt. 2. Psycho: The Emergence of a
Schizoid America in the Age of Anxiety. Ch. 3. Duck and
Cover: Civil Defense and Existential Anxiety in America.
Ch. 4. The Snake Pit: America as an Asylum. Ch. 5. Wild
Ones: Youths in Revolt against Adult America -- Pt. 3. Is
God Dead? An American Awakening on the Eve of Destruction.
Ch. 6. Time Enough at Last? The Bomb Shelter Craze and the
Dawn of America's Moral Awakening. Ch. 7. Laughter and a
New Myth of Life: Attacking the Menace of the American
System. Ch. 8. Judgment Day: Dr. Strangelove's Cultural
Revolution. Ch. 9. Godless Violence and Transcendent Hope:
The American Nightmare Exposed and Contained.
520 Did Dr. Strangelove's America really learn to "stop
worrying and love the bomb, " as the title of Stanley
Kubrick's 1964 film would have us believe? What has that
darkly satirical comedy in common with the impassioned
rhetoric of Martin Luther King's "I Have a Dream" speech
or with the beat of Elvis Presley's throbbing "I'm All
Shook Up"? They all, in Margot Henriksen's vivid depiction
of the decades after World War II, are expressions of a
cultural revolution directly related to the atomic bomb.
520 8 Because there was little organized, extensive protest
against nuclear weapons and nuclear proliferation until
the 1980s, America's overall reaction to the bomb has been
seen as acceptance or indifference. Henriksen argues
instead that, in spite of the ease with which Cold War
exigencies overrode all protests by scientists or others
after the end of World War II, America's psyche was split
as surely as the atom was split. In opposition to the
"culture of consensus, " which never questioned the
pursuit of nuclear superiority, a "culture of dissent" was
born. Its current of rebellion can be followed through all
the forms of popular culture, and Henriksen evokes dozens
of illuminating examples from the 1940s, '50s, and '60s.
650 0 Cold War|xSocial aspects|zUnited States.
650 0 Atomic bomb|xSocial aspects|zUnited States.
650 0 Atomic bomb|xMoral and ethical aspects|zUnited States.
651 0 United States|xCivilization|y1945-
856 42 |3Contributor biographical information|uhttp://
catdir.loc.gov/catdir/bios/ucal051/96039460.html
856 42 |3Publisher description|uhttp://catdir.loc.gov/catdir/
description/ucal041/96039460.html
938 Baker and Taylor|bBTCP|n96039460
938 YBP Library Services|bYANK|n1331793
938 Baker & Taylor|bBKTY|c46.00|d46.00|i0520083105|n0002931102
|sactive
994 01|bSTJ
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