| Description |
1 online resource (490 pages) |
| Contents |
Cover; Half title; Title; Copyright; Contents; Dedication; Acknowledgments; Introduction; Part One; 1. Film Minds; 2. Film-Beings; 3. Film Phenomenology; 4. Film Neominds; Part Two; 5. Filmind; 6. Film Narration; 7. Film-Thinking; 8. Filmgoer; 9. Film Writing; 10. Filmosophy; Conclusion; Notes; Bibliography; Index. |
| Summary |
Filmosophy is a provocative new manifesto for a radically philosophical way of understanding cinema. It coalesces twentieth-century ideas of film as thought (from Hugo Münsterberg to Gilles Deleuze) into a practical theory of ""film-thinking, "" arguing that film style conveys poetic ideas through a constant dramatic ""intent"" about the characters, spaces, and events of film. Discussing contemporary filmmakers such as Béla Tarr and the Dardenne brothers, this timely contribution to the study of film and philosophy will provoke debate among audiences and filmmakers alike. FILMOSOPHY. |
| Note |
Print version record. |
| Subject |
Motion pictures -- Philosophy.
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Motion pictures -- Aesthetics.
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Motion pictures.
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PERFORMING ARTS -- Reference.
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Motion pictures -- Aesthetics.
(OCoLC)fst01027288
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Motion pictures -- Philosophy.
(OCoLC)fst01027348
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| Other Form: |
Print version: Frampton, Daniel. Filmosophy. London : Columbia University Press, ©2012 9781904764847 |
| ISBN |
9780231850100 (electronic bk.) |
|
0231850107 (electronic bk.) |
| Music No. |
EB00640528 Recorded Books |
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