LEADER 00000cam  2200553Ka 4500 
001    ocn843880846 
003    OCoLC 
005    20170728075022.7 
006    m     o  d         
007    cr cnu---unuuu 
008    130521s2013    nyu     ob    001 0 eng d 
019    843532273 
020    9780199948048|q(electronic bk.) 
020    0199948046|q(electronic bk.) 
035    (OCoLC)843880846|z(OCoLC)843532273 
040    N$T|beng|epn|cN$T|dYDXCP|dCDX|dSTF|dDEBBG|dOCLCO|dOCLCQ
       |dOCLCF|dEBLCP|dZ5A|dOCL|dOCLCQ|dUKOUP|dOCLCQ|dOCLCO 
043    n-us--- 
049    GTKE 
050  4 ML3917.U6|bF38 2013eb 
082 04 780.973/0904|223 
100 1  Fauser, Annegret,|eauthor. 
245 10 Sounds of war :|bmusic in the United States during World 
       War II /|cAnnegret Fauser. 
264  1 New York :|bOxford University Press,|c2013. 
300    1 online resource (xv, 366 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
504    Includes bibliographical references (pages 273-346) and 
       index. 
505 0  1. "We, as musicians, are soldiers, too ... ". Musicians 
       in uniform ; Performing for victory ; Composition in the 
       war effort ; Cultural mediators and educators -- 2. 
       "Shaping music for total war". Music in the service of 
       propaganda: the Office of War Information ; Crossing 
       borders: music, diplomacy, and the State Department ; The 
       singing army: uplift and education for a nation ; Music 
       therapy and the "reconditioning" of soldiers -- 3. "I hear
       America singing ... ". Sounds of a usable past ; Salutes 
       to American folk song ; Voicing opera in America -- 4. 
       "The great invasion". Living in exile ; French connections,
       Czech identities ; Refugees from axis nations -- 5. "Hail 
       muse Americana!". Commemoration and patriotic celebration 
       ; Celebrating the American way ; New world symphonies. 
520 8  Whether as an instrument of propaganda or as a form of 
       entertainment, classical music had a cultural relevance 
       and a ubiquity in the war effort that are hard to imagine 
       today. Exploring an abundance of sources ranging from 
       government archives to the correspondence of musicians, 
       this book traces how musicians in the United States 
       responded and contributed to the war, following individual
       performers and composers as they faced military duty or 
       sought alternative ways in which they could serve. 
588 0  Print version record. 
611 27 World War (1939-1945)|2fast|0(OCoLC)fst01180924 
648  7 1900-1999|2fast 
650  0 Music|xPolitical aspects|zUnited States|xHistory|y20th 
       century. 
650  0 Music|xSocial aspects|zUnited States|xHistory|y20th 
       century. 
650  0 Music and state|zUnited States|xHistory|y20th century. 
650  0 World War, 1939-1945|xMusic and the war. 
650  7 MUSIC|xHistory & Criticism.|2bisacsh 
650  7 Music and state.|2fast|0(OCoLC)fst01030489 
650  7 Music and war.|2fast|0(OCoLC)fst01030492 
650  7 Music|xPolitical aspects.|2fast|0(OCoLC)fst01030414 
650  7 Music|xSocial aspects.|2fast|0(OCoLC)fst01030444 
651  7 United States.|2fast|0(OCoLC)fst01204155 
655  7 History.|2fast|0(OCoLC)fst01411628 
776 08 |iPrint version:|aFauser, Annegret.|tSounds of war.|dNew 
       York : Oxford University Press, 2013|z9780199948031|w(DLC)
       2012047880|w(OCoLC)819383019 
914    ocn843880846 
994    92|bGTK