| Description |
1 online resource |
|
data file rda |
| Bibliography |
Includes bibliographical references and index. |
| Note |
Online resource; title from PDF title page (EBSCO, viewed December 2, 2015). |
| Contents |
Cover page; Halftitle page; Title page; Copyright page; Epigraph; CONTENTS; ACKNOWLEDGEMENTS; LIST OF CONTRIBUTORS; LIST OF CASE STUDIES; LIST OF INTERVIEWS; PART ONE Overview; 1 Introduction: Valuing Music; Valuing music: Production and consumption; Who is the young music entrepreneur?; Outline of the book; Conclusion; References; 2 The Need for the Music Entrepreneur; The nature of the music industries; Record labels: Fluctuating economy/ new business models; Emerging territories; The music entrepreneur; Which skills might the music entrepreneur need? |
|
Art versus commerce: Striking a balanceSelf- belief: Opportunity/motivation; Challenge/determination/failure as a learning experience; Networking; Exchanging not buying; Passion/work ethic; Summary: Characteristics of the music entrepreneur; Conclusions: Entrepreneurship in music education; Notes; References; 3 From DIY to D2F: Contextualizing Entrepreneurship for the Artist/Musician; Introduction; Part 1: Entrepreneurship and DIY; From Punk to post-Punk; Part 2: Major labels and 360-degree deals; Part 3: From DIY to D2F; Part 4: Playing the platforms; Part 5: The D2F entrepreneur; Conclusion. |
|
NotesReferences; 3A Example Case Study?: The Professional Musician; Case study: Ross McFarlane (professional musician); References; PART TWO Sectors and Case Studies; 4 Artist Managers and Entrepreneurship: Risk- takers or Risk Averse?; Introduction; The changing nature and reputation of artist managers; Locating the artist manager as an entrepreneur; Case study: Sumit Bothra (ATC Management); Case study: Princess Nyah (self- managing artist); Conclusion; Notes; References; Websites; 5 Live Music; Outline; Introduction; The role of the entrepreneur in the live sector. |
|
Case study: Goc O'Callaghan (ArcTanGent Festival)Case study: Joe Smillie, the Glad Café; Conclusion; References; Useful sources; 6 Entrepreneurship and Music Technology Practitioners; Key concepts and issues; Case study: Chantal Epp (Synergy Sounds); Case study: Helen Atkinson (Producer/Engineer at RAK Studios); Conclusion; Notes; References; Websites; 7 Recorded Music; The recorded music sector; Copyright issues; The record company entrepreneur; Case study: Jay Frank (DigSin); Case study: Mark Orr (LAB Records); Summary; Conclusions; Notes; References; 8 Digital Music Distribution. |
|
Web 3.0 and digital music distributionIndependent artists as prosumers: Tools for digital distribution; The digital distribution landscape; Sector overview; Digital aggregators; Digital retailers; Streaming services; New developments: Tidal; Subscription services; Crowdfunding platforms; Digital content management platforms; Case study: EmuBands (Ally Gray); Case study: Jessica Carmody (Account Manager at PledgeMusic UK); 'I'm not an entrepreneur': A British perspective?; References; Websites; 9 Music Publishing: How to Understand and Engage with Copyright in the Digital World; Introduction. |
| Subject |
Music trade.
|
|
Music -- Economic aspects.
|
|
Entrepreneurship.
|
|
MUSIC -- Genres & Styles -- Classical.
|
|
MUSIC -- Reference.
|
|
Entrepreneurship. (OCoLC)fst00912787
|
|
Music -- Economic aspects.
(OCoLC)fst01030314
|
|
Music trade. (OCoLC)fst01030641
|
| Added Author |
McPherson, Gayle, 1968- author.
|
| Other Form: |
Print version: Dumbreck, Allan. Music entrepreneurship. London : Bloomsbury Methuen Drama, 2016 9781472525406 (OCoLC)933426369 |
| ISBN |
9781472531100 (electronic book) |
|
1472531108 (electronic book) |
|
