Includes bibliographical references (pages [141]-159) and index.
Contents
What's old is new again, or The brand new fetish: black/white bodies in American racial discourse -- From naxos to Copenhagen: Helga Crane's mixed-race aspirations in Nella Larsen's Quicksand -- Homeward bound: negotiating borders in Lucinda Roy's Lady Moses and Danzy Senna's Caucasia -- "This is how memory works": boundary crossing, belonging, and Blackness in mixed-race autobiographies -- B(l)ack to last drop? Mariah Carey, Halle Berry, and the complexities of racial identity in popular culture.