Skip to content
You are not logged in |Login  
     
Limit search to available items
Book Cover
Bestseller
BestsellerE-Book

Title Projecting the World : Representing the "Foreign" in Classical Hollywood.

Publication Info. [Place of publication not identified] : Wayne State University Press, [2017]
©2017

Copies

Location Call No. Status
 Farmington - Downloadable Materials  Freading Ebook    Downloadable
Farmington cardholders click here to access this title from Freading
 Newington - Downloadable Materials  Freading E-Book    Downloadable
Newington cardholders click here to access this title from Freading
 Rocky Hill - Downloadable Materials  Freading Ebook    Downloadable
Rocky Hill cardholders click here to access this title from Freading
 Wethersfield - Downloadable Materials  FreadingEbook    Downloadable
Wethersfield cardholders click here to access this title from Freading
 Windsor Locks - Downloadable Materials  Freading Ebook    Downloadable
Windsor Locks cardholders click here to access this title from Freading
Series Contemporary approaches to film and media series
Contemporary approaches to film and media series.
Access Access limited to subscribing institutions.
Summary The classical Hollywood films that were released between the 1930s and 1960s were some of the most famous products of global trade, crisscrossing borders and rising to international dominance. In analyzing a series of Hollywood films that illustrate moments of nuanced transnational engagement with the \"foreign,\" Projecting the World: Representing the \"Foreign\" in Classical Hollywood enriches our understanding of mid-twentieth-century Hollywood cinema as a locus of imaginative geographies that explore the United States relationship with the world. While previous scholarship has asserted the imperialism and racism at the core of classical Hollywood cinema, Anna Cooper and Russell Meeufs collection delves into the intricaciesand sometimes disruptionsof this assumption, seeing Hollywood films as multivalent and contradictory cultural narratives about identity and politics in an increasingly interconnected world. Projecting the World illustrates how Hollywood films negotiate shifting historical contexts of internationalization through complex narratives about transnational exchangea topic that has thus far been neglected in scholarship on classical Hollywood. The essays analyze the \"foreign\" with topics such as the 1930s island horror film, the 1950s Mexico-set bullfighting film, Hollywoods projection of \"exoticism\" on Argentina, and John Waynes film sets in Africa. Against the backdrop of expanding consumer capitalism and the growth of U.S. global power, Hollywood films such as Tarzan and Anatahan, as well as musicals about Paris, offered resonant images and stories that dramatized Americas international relationships in complicated ways. A fascinating exploration of an oft-overlooked aspect of classical Hollywood films, Projecting the World offers a series of striking new analyses that will entice cinema lovers, film historians, and those interested in the history of American neocolonialism.
Note Print version record.
Subject ART / Film & Video.
Mass media and culture.
Motion picture industry -- United States.
Motion pictures -- United States -- History -- 20th century.
Culture in motion pictures.
National characteristics in motion pictures.
Genre/Form Electronic books.
Added Author Meeuf, Russell, 1981- editor.
Cooper, Anna, editor.
Other Form: version: Projecting the world. Detroit : Wayne State University Press, [2017] 0814343066 (DLC)2017933000
Standard No. 9780814343074
ISBN 9780814343074 (e-pub)
-->
Add a Review