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003    OCoLC 
005    20130918145750.0 
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020    0500289433|qpaperback 
035    (OCoLC)755982774 
035    (OCoLC)755982774 
035    (OCoLC)755982774 
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050  4 N6915|b.C35 2012 
082 04 709.4509024|223 
092    709.45|bC191I 
100 1  Campbell, Stephen J.|q(Stephen John),|d1963- 
245 10 Italian Renaissance art /|cStephen J. Campbell and Michael
       W. Cole. 
264  1 New York, New York :|bThames & Hudson Inc.,|c2012. 
300    680 pages :|billustrations (chiefly color) ;|c28 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references (pages 647-664) and 
       index. 
505 0  1300-1400 : The Trecento inheritance. Political geography 
       and the arts ; Architectural legacies ; Giotto : the 
       painter and the legend ; Rival traditions : Duccio ; The 
       Pisano family and the rise of monumental sculpture ; Cult 
       images and devotional life -- 1400-1410 : The cathedral 
       and the city. Campanilism ; Competition at Florence 
       Cathedral ; Marble sculpture for the cathedral : Nanni di 
       Banco and Donatello ; Jacopo dell Quercia and the Fonte 
       Gaia -- 1410-1420 : Commissioning art : standardization, 
       customization, emulation. Orsanmichele and its tabernacles
       ; Customizing the altarpiece : the Coronation of the 
       Virgin ; Filippo Brunelleschi and the Foundling Hospital -
       - 1420-1430 : Perspective and its discontents. The 
       centrality of Florence ; Lorenzo Ghiberti and Brunelleschi
       at the baptistry ; Perspective and narrative ; The 
       Brunelleschian model and its alternatives ; Leon Battista 
       Alberti : a humanist theory of painting -- 1430-1440 : 
       Pictorial techniques and the uses of drawing. Technique : 
       painting panels and frescoes ; The centrality of Disegno ;
       Inventing antiquity ; Jacopo Bellini and the 
       transformation of the modelbook -- 1440-1450 : Palace and 
       church. The sacred and the profane ; San Marco ; The 
       Florentine altarpiece after 1440 ; Andrea del Castagno and
       the Convent of Sant'Apollonia ; The all'antica Tomb ; The 
       Private Palace ; Civic patronage and the church : Venice 
       and Padua ; Siena : civic and sacred space ; The Vatican 
       Papacy and the embellishment of St. Peter's -- 1450-1460 :
       Rome and other Romes. The model city ; The courts of 
       Naples and Rimini ; Padua ; Pius II : Rome and Pienza ; 
       Alberti on architecture -- 1460-1470 : Courtly values. 
       What is court art? ; Ferrara and the court of Borso d'Este
       ; The Sforza court in Milan ; Mantegna, Alberti, and the 
       Gonzaga court ; Urbino : the palace of Frederico da 
       Montefeltro ; Courtly values in cities without courts -- 
       1470-1480 : What is naturalism?. The Flemish manner ; Oil 
       painting ; Life study ; Leonardo da Vinci's beginnings ; 
       Nature and the classical past ; Beauties beyond nature -- 
       1480-1490 : Migration and mobility. Portable art ; Artists
       on the move ; Florentine bronze sculptors in Venice and 
       Rome ; Florentine painters in Rome : the Sistine Chapel 
       frescoes ; Leonardo goes to Milan -- 1490-1500 : From the 
       margins to the center. A fugitive boundary ; The Studiolo 
       of Isabella d'Este and mythological painting ; Corporate 
       devotion ; The world ends ; Judgment Day in Orvieto, "Last
       Things" in Bologna ; Leonardo in Sforza Milan ; 
       Michelangelo : early works in marble -- 1500-1510 : Human 
       nature. The heroic body and its alternatives ; Leonardo 
       and Michelangelo in Florence ; Raphael's beginnings ; Rome
       : a new architectural language ; The Sistine Ceiling ; The
       Vatican Palace ; Venice -- 1510-1520 : The workshop and 
       the "school". Raphael and his team 1512-20 ; 
       Michelangelo's sculptures for the Julius Tomb ; The 
       Florentine "schools" ; Titian and the Camarino of Alfonso 
       d'Este -- 1520-1530 : The loss of the center. The Sala di 
       Constantino ; Rome after Raphael : making a reputation ; 
       Florence ; Lombady and Venice ; The sack of Rome in 1527 -
       - 1530-1540 : Dynasty and myth. The Della Rovere in Urbino
       ; The Gonzaga in Mantua ; The Medici in Florence ; Andrea 
       Doria in Genoa ; Rome under the Farnese -- 1540-1550 : 
       Literate art. The painting of history ; Michelangelo's 
       gift drawings and the Pietà ; The rise of vernacular art 
       theory ; Italians abroad : Fontainebleau ; The city square
       ; Painting without poetry -- 1550-1560 : Disegno/colore. 
       Titian and Rome ; Design and production : Florence and 
       Rome ; Interpreting Michelangelo ; Out of Italy -- 1560-
       1570 : Decorum, order, and reform. Alessandro Moretto and 
       Giovanni Moroni : reform tendencies on the eve of Trent ; 
       Michelangelo's Last Judgment, twenty years later ; The 
       Jesuits and the reform of church architecture ; Princes of
       the church and their villas ; Villas in the Veneto : 
       Andrea Palladio ; The "Sacro Bosco" at Bomarzo ; Bologna, 
       Florence, and Rome in the time of Pius IV and Pius V ; The
       arts in transition -- 1570-1580 : Art, the people, and the
       Counter-Reformation Church. Two reforming archbishops ; 
       Venice in the 1570s ; Three confraternities ; Architecture
       and urbanism in Counter-Reformation Rome ; The image of 
       the people -- 1580-1590 : A sense of place. Gardens and 
       grottos ; The Bolognese new wave ; The "holy mountain" at 
       Varallo ; Mapping Rome ; Urbanism in Rome under Sixtus V ;
       The place of Giambologna's Abduction of the Sabine -- 1590
       -1600 : The persistence of art. Church humanism, church 
       archeology ; A new geography ; Galleries and collectible 
       art ; Three paths, c. 1600 ; After 1600 -- Chronology of 
       rule 1400-1600 : key centers. 
520    "Stephen Campbell & Michael Cole offer a new and 
       invigorating approach to Italian Renaissance art that 
       combines a straightforward chronological structure with 
       new insights and approaches from contemporary scholarship.
       Drawing on the most recent scholarship, this book is 
       accessible to students and non-specialist readers, telling
       the story of art in the great centers of Rome, Florence, 
       and Venice, while profiling a range of other cities and 
       sites throughout Italy. While the book presents the 
       classic canon of Renaissance painting and sculpture in 
       full, it expands the scope of conventional surveys by 
       offering a more through coverage of architecture, 
       decorative and domestic art, and print media. Rather than 
       emphasizing artists' biographies, this new account 
       concentrates on the works, discussing means of production,
       the place for which images were made, concerns of patrons,
       and the expectation and responses of the works first 
       viewers. Renaissance art is seen as decidedly new, a 
       moment in the history of art whose concerns persist in the
       present. 790 full-color illustrations."--Publisher's 
       website. 
650  0 Art, Italian. 
650  0 Art, Renaissance|zItaly. 
700 1  Cole, Michael Wayne,|d1969- 
938    YBP Library Services|bYANK|n7041796 
938    Blackwell Book Service|bBBUS|n7041796 
938    Coutts Information Services|bCOUT|n18141321 
994    01|bSTJ