| Description |
1 online resource (127 pages) |
| Note |
Description based upon print version of record. |
| Contents |
About the Author ; Preface; SECTION 1 THE BASICS AND BEYOND ; The Natural Light Camera Room ; Strobe/Natural Light Correlation ; Jump Page: What Is the Inverse Square Law? ; Tools of the Trade; Understanding Exposure, Minimal Style ; Lenses ; White Balance; Reflector Placement; Portrait Light Patterns ; The Rhythym of Light ; Outdoor Subject Placement; SECTION 2 UNPLUGGED: NATURAL LIGHT IN PRACTICE; 1. Too Tuff; 2. The TIle Painter; 3. Down the Road ; 4. Camoflauge; 5. Stair Master; 6. Yellow and Blue ; 7. Skater Boy ; 8. Alley GIrl ; 9. Give Me Three Steps ; 10. RIver Watch |
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11. Underground 12. Playing Pool ; 13. Window Seat ; 14. Winter Woods ; 15. Flower Girl ; 16. These Boots Were Made For. . . ; 17. Sweet Light on the Beach, Part 1; 18. Sweet Light, Part 2; 19. Glamour Girl ; 20. Red ; 21. All Aboard; 22. Let's Jam ; 23. Dove GIrl ; 24. Train Door ; 25. Thoughts and Dreams; 26. Dreadlocks ; 27. ""Cocaine LIghtning"" ; 28. A LIttle Help from Her Friends ; 29. Black Rocks ; 30. Train Step Girl ; 31. Piano LIghting ; 32. Mountaineer Football Player; 33. Yellow Flowers ; 34. Football Closeup ; 35. Blue Pallets ; 36. Behind Black Rocks ; 37. Prom's Over |
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38. Sweet Light Family Portrait 39. Cheerleader; 40. Pointer Sisters ; 41. Diagonal Door Trim ; 42. Train Hang ; 43. Grassy Beach ; 44. Skater Boy Sky ; 45. Lake Swimmer; 46. Black Ore ; 47. Watercolor Girls ; 48. Wedding Rapids ; 49. The Brown Lounge ; 50. Jack and Jill ; 51. Papa Bear ; 52. Train Wheel ; 53. On the Rocks ; 54. Lake Antoine at Sundown ; 55. Purple Ditch ; 56. Found on the Doorstep ; 57. People Watching ; 58. Open Door ; 59. Pieces of Me ; 60 Getting Fancy ; Conclusion ; Index |
| Summary |
Good lighting is everything in portraiture. The right light sculpts our subjects, smooths the skin, evens skin tones, and helps create the feeling of a third dimension in a two-dimensional image. The gold standard of lighting has, for the better part of a century, been produced by artificial lights (hot lights or strobes) in the studio. These sources allow for precise lighting effects on demand. However, artificial light cannot match the beauty or ambience that gorgeous natural light createsand studio lighting can break the bank.In part 1 of this book, Carl Caylor introduces readers to a fail. |
| Subject |
Available light photography.
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Photography -- Lighting.
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Photography.
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Available light photography. (OCoLC)fst00824255
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Photography -- Lighting.
(OCoLC)fst01061769
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PHOTOGRAPHY / General.
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| Genre/Form |
Electronic books.
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| ISBN |
9781608958856 (electronic bk.) |
|
160895885X (electronic bk.) |
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9781608958849 (electronic bk.) |
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1608958841 (electronic bk.) |
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