LEADER 00000cam 22005174a 4500
001 ocn805831481
003 OCoLC
005 20141119133757.0
008 120802t20132013nyua b 001 0 eng
010 2012029766
016 7 016279827|2Uk
020 9780199939985|q(hardback)
020 0199939985|q(hardback)
020 9780199940004|q(paperback)
020 0199940002|q(paperback)
024 8 40022471605
035 (OCoLC)805831481
040 DLC|beng|cDLC|dYDX|dOCLCO|dBTCTA|dUKMGB|dYDXCP|dORC|dCDX
|dCOO|dIUL|dIG#|dYUS|dZCU|dPUL|dCHVBK|dOCLCO|dBCO|dCIA
|dSTJ
042 pcc
049 STJJ
050 00 GV1601|b.D38 2013
082 00 793.309/012|223
092 793.3|bD173D
245 00 Dance on its own terms :|bhistories and methodologies /
|cedited by Melanie Bales and Karen Eliot.
264 1 New York :|bOxford University Press,|c[2013]
264 4 |c©2013
300 vi, 448 pages :|billustrations ;|c24 cm
336 text|btxt|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references and index.
505 00 |gPart one:|tIn the moment of re-creation and performance
--|gIntroduction to Part one --|tDancing the canon in
wartime: Sergeyev, de Valois, and Inglesby and the
classics of British ballet /|rKaren Eliot --|tReimagining
Le boeuf sur le toit /|rAnn Dils --|tReframing the recent
past: issues of reconstruction in Israeli contemporary
dance /|rDeborah Friedes Galili --|tThe body censored:
dance, morality, and the production code during the golden
age of the film musical /|rBetsy Cooper --|t"Single
ladies" is gay: queer performances and mediated
masculinities on YouTube /|rHarmony Bench --|gPart two:
|tWithin the body and mind of the dancer and choreographer
--|gIntroduction to Part two --|tLa cosmografia del minor
mondo: recovering dance theory to create today's baroque
practice /|rCatherine Turocy --|tTouchstones of tradition
and innovation: Pas de deux by Petipa, Balanchine and
Forsythe /|rMelanie Bales --|tPavlova and her daughters:
genealogies of contingent autonomy /|rCarrie Gaiser Casey
--|tJoined-up fragments in A wedding bouquet: Ashton,
Berners and Stein /|rGeraldine Morris --|tKaddish at the
Wall: the long life of Anna Sokolow's "Prayer for the
dead" /|rHannah Kosstrin --|tDeveloping the American
ballet dancer: the pedagogical lineage of Rochelle Zide-
Booth /|rJessica Zeller --|gPart three:|tIn the shape of
written records --|gIntroduction to Part three --
|tRecording the Imperial Ballet: anatomy and ballet in
Stepanov's notation /|rSheila Marion with Karen Eliot --
|tMusical expression in the Bournonville-Løvenskjold La
sylphide variation /|rRebecca Schwartz-Bishir --|tArchives
of embodiment: visual culture and the practice of score
reading /|rVictoria Watts --|tReading music, gesture, and
narrative in Mark Morris' Dido and Aeneas /|rRachael Riggs
-Leyva --|tWhat's in a dance?: the complexity of
information in writings about dance /|rCandace Feck.
650 0 Dance|xHistory.
650 0 Dance|xResearch.
650 0 Dance|xMethodology.
650 7 Tanz.|0(DE-588)4059028-8|2gnd
650 7 Methode.|0(DE-588)4038971-6|2gnd
700 1 Bales, Melanie.
700 1 Eliot, Karen,|d1957-
938 Baker and Taylor|bBTCP|nBK0012201758
938 YBP Library Services|bYANK|n9732699
938 Coutts Information Services|bCOUT|n23190519
938 Ingram|bINGR|n9780199939985
994 01|bSTJ
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