LEADER 00000cam  22005174a 4500 
001    ocn805831481 
003    OCoLC 
005    20141119133757.0 
008    120802t20132013nyua     b    001 0 eng   
010      2012029766 
016 7  016279827|2Uk 
020    9780199939985|q(hardback) 
020    0199939985|q(hardback) 
020    9780199940004|q(paperback) 
020    0199940002|q(paperback) 
024 8  40022471605 
035    (OCoLC)805831481 
040    DLC|beng|cDLC|dYDX|dOCLCO|dBTCTA|dUKMGB|dYDXCP|dORC|dCDX
       |dCOO|dIUL|dIG#|dYUS|dZCU|dPUL|dCHVBK|dOCLCO|dBCO|dCIA
       |dSTJ 
042    pcc 
049    STJJ 
050 00 GV1601|b.D38 2013 
082 00 793.309/012|223 
092    793.3|bD173D 
245 00 Dance on its own terms :|bhistories and methodologies /
       |cedited by Melanie Bales and Karen Eliot. 
264  1 New York :|bOxford University Press,|c[2013] 
264  4 |c©2013 
300    vi, 448 pages :|billustrations ;|c24 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
504    Includes bibliographical references and index. 
505 00 |gPart one:|tIn the moment of re-creation and performance 
       --|gIntroduction to Part one --|tDancing the canon in 
       wartime: Sergeyev, de Valois, and Inglesby and the 
       classics of British ballet /|rKaren Eliot --|tReimagining 
       Le boeuf sur le toit /|rAnn Dils --|tReframing the recent 
       past: issues of reconstruction in Israeli contemporary 
       dance /|rDeborah Friedes Galili --|tThe body censored: 
       dance, morality, and the production code during the golden
       age of the film musical /|rBetsy Cooper --|t"Single 
       ladies" is gay: queer performances and mediated 
       masculinities on YouTube /|rHarmony Bench --|gPart two:
       |tWithin the body and mind of the dancer and choreographer
       --|gIntroduction to Part two --|tLa cosmografia del minor 
       mondo: recovering dance theory to create today's baroque 
       practice /|rCatherine Turocy --|tTouchstones of tradition 
       and innovation: Pas de deux by Petipa, Balanchine and 
       Forsythe /|rMelanie Bales --|tPavlova and her daughters: 
       genealogies of contingent autonomy /|rCarrie Gaiser Casey 
       --|tJoined-up fragments in A wedding bouquet: Ashton, 
       Berners and Stein /|rGeraldine Morris --|tKaddish at the 
       Wall: the long life of Anna Sokolow's "Prayer for the 
       dead" /|rHannah Kosstrin --|tDeveloping the American 
       ballet dancer: the pedagogical lineage of Rochelle Zide-
       Booth /|rJessica Zeller --|gPart three:|tIn the shape of 
       written records --|gIntroduction to Part three --
       |tRecording the Imperial Ballet: anatomy and ballet in 
       Stepanov's notation /|rSheila Marion with Karen Eliot --
       |tMusical expression in the Bournonville-Løvenskjold La 
       sylphide variation /|rRebecca Schwartz-Bishir --|tArchives
       of embodiment: visual culture and the practice of score 
       reading /|rVictoria Watts --|tReading music, gesture, and 
       narrative in Mark Morris' Dido and Aeneas /|rRachael Riggs
       -Leyva --|tWhat's in a dance?: the complexity of 
       information in writings about dance /|rCandace Feck. 
650  0 Dance|xHistory. 
650  0 Dance|xResearch. 
650  0 Dance|xMethodology. 
650  7 Tanz.|0(DE-588)4059028-8|2gnd 
650  7 Methode.|0(DE-588)4038971-6|2gnd 
700 1  Bales, Melanie. 
700 1  Eliot, Karen,|d1957- 
938    Baker and Taylor|bBTCP|nBK0012201758 
938    YBP Library Services|bYANK|n9732699 
938    Coutts Information Services|bCOUT|n23190519 
938    Ingram|bINGR|n9780199939985 
994    01|bSTJ