LEADER 00000cam  2200000 a 4500 
001    ocm18739663 
003    OCoLC 
005    20080904000000.0 
008    881027t19891989enka     bc   000 0 eng   
010       88028032 
020    0300044577|qU.S. 
020    9780300044577|qU.S. 
020    0300044569|qU.S.|qpaperback 
020    9780300044560|qU.S.|qpaperback 
035    (OCoLC)18739663 
035    (OCoLC)18739663 
040    DLC|beng|cDLC|dMUQ|dBAKER|dBTCTA|dYDXCP|dOCLCG|dNOR 
049    GWVA 
050 00 TR646.G72|bL66192 1989 
082 00 779/.074|219 
245 04 The Art of photography, 1839-1989 /|ccatalogue edited by 
       Mike Weaver ; photographs selected by Daniel Wolf with 
       Mike Weaver and Norman Rosenthal. 
264  1 New Haven :|bYale University Press,|c[1989] 
264  4 |c©1989 
300    x, 472 pages :|billustrations (some color) ;|c29 cm 
336    text|btxt|2rdacontent 
337    unmediated|bn|2rdamedia 
338    volume|bnc|2rdacarrier 
500    "Published on the occasion of the exhibition The art of 
       photography 1829-1989, Museum of Fine Arts, Houston, 
       Australian National Gallery, Canberra, Royal Academy of 
       Arts, London"--P. facing t.p. 
504    Bibliography: page 472. 
505 00 |tForeword --|tLender to the exhibition --
       |tAcknowledgments --|tPhotographic acknowledgments --
       |tIntroduction /|rDaniel Wolf --|tChronology /|rAnne 
       Hammond --|tPrologue :|gThe|tpicture as photograph /|rMike
       Weaver --|g1. The|tpencil of nature /|rBeaumont Newhall --
       |g"The|tmagic mirror" (1830) /|rHenry Fox Talbot --|g2. 
       The|tnineteenth-century portrait /|rWill Stapp --|t"Annals
       of my glass house" (1874) /|rJulia Margaret Cameron --|g3.
       |tEarly French masters /|rBen Lifson --|t"Photography in 
       France" (1852) /|rRoger Fenton --|g4.|tLe Gray - Fenton - 
       Watkins /|rMike Weaver --|g"The|trelation between 
       photography and painting" (1860) /|rPhilip Gilbert 
       Hamerton --|g5.|tTravel /|rRobert A. Sobieszek --|g"The
       |tart of photography" (1860) /|rFrancis Frith --|g6.
       |tPictorial effect /|rPeter C . Bunnell --|t"On the 
       possibility of new laws of compositions" (1910) /
       |rSadakichi Hartmann --|g7. "An|tAmerican place" /|rMike 
       Weaver --|t"America and photography" (1929) /|rEdward 
       Weston -- 
505 00 |g8. The|tmodern movement /|rRobert Shapazian --|g"A|tnew 
       instrument of vision" (1932) /|rLázló Moholy-Nagy --|g9.
       |tEuropean documentary styles /|rBen Lifson --|g"The
       |tdecisive moment" (1952) /|rHenri Cartier-Bresson --|g10.
       |tAmerican documentary styles /|rAnne Tucker --
       |t"Photography" /|rWalker Evans --|g11. The|tinner vision 
       /|rBen Lifson --|tMemorable fancies" (1952, 1957) /|rMinor
       White --|g12.|tBritish contemporaries /|rMark Haworth-
       Booth --|t"Ray Moore Talking" (1981) /|rRay Moore --|g13.
       |tScenes of conflict /|rDavid Mellor --|tSlightly out of 
       focus (1947) /|rRobert Capa --|g14.|tFigures of style /
       |rDavid Mellor --|t"World without men" (1984) /|rHelmut 
       Newton --|g15.|tConstruction and appropriation /|rChris 
       Titterington --|t"Photographic practice and theory" (1974)
       /|rVictor Burgin --|tGlossary ---|tArtists' biographies 
       and list of works in the exhibition --|tSelect 
       bibliography. 
650  0 Photography, Artistic|vExhibitions. 
700 1  Weaver, Mike. 
700 1  Wolf, Daniel,|d1955- 
710 2  Royal Academy of Arts (Great Britain) 
710 2  Museum of Fine Arts, Houston. 
710 2  Australian National Gallery. 
938    Baker & Taylor|bBKTY|c70.00|d70.00|i0300044577|n0001532682
       |sactive 
938    Baker and Taylor|bBTCP|n88028032 
938    YBP Library Services|bYANK|n164358 
994    90|bGWV