Includes bibliographical references pages (321-358) and index.
Contents
The politics of method -- Labyrinths of meaning in Vanderlyn's Ariadne -- Bingham's Boone -- Reconstructing Duncanson -- Lilly Martin Spencer's domestic genre painting in antebellum America -- Guys and dolls : framing femininity in post-Civil War America -- Masculinity, nostalgia, and the trompe l'oeil still-life paintings of William Harnett.
Summary
Art historian David Lubin examines the work of six nineteenth-century American artists to show how their paintings both embraced and resisted dominant social values. Lubin argues that artists such as George Bingham and Lily Martin Spencer were aware of the underlying social conflicts of their time and that their work reflected the nation's ambivalence toward domesticity, its conflicting ideas about child rearing, its racial disharmony, and many other issues central to the formation of modern America.--From publisher description.