| Description |
1 online resource (x, 214 pages) : illustrations, map |
| Bibliography |
Includes bibliographical references and index. |
| Contents |
Introduction. Jim Crow then: the emergence of neo-segregation narratives -- Jim Crow Jr.: Lorraine Hansberry's late segregation revisions and Toni Morrison's early post-civil rights ambivalence -- Jim Crow returns, Jim Crow remains: gender and segregation in David Bradley's The Chaneysville incident and Alice Walker's The color purple -- Jim too: black blackface minstrelsy in Wesley Brown's Darktown strutters and Spike Lee's Bamboozled -- Jim Crow in Idaho: clarifying blackness in multiethnic fiction -- Jim Crow Faulkner: Suzan-Lori Parks digs up the past, again -- Epilogue. Jim Crow today: when Jim Crow is but should not be. |
| Summary |
This study of what Brian Norman terms a neo and ndash;segregation narrative tradition examines literary depictions of life under Jim Crow that were written well after the civil rights movement.; From Toni Morrison and rsquo;s first novel, The Bluest Eye, to bestselling black fiction of the 1980s to a string of recent work by black and nonblack authors and artists, Jim Crow haunts the post and ndash;civil rights imagination. Norman traces a neo and ndash;segregation narrative tradition and mdash;one that developed in tandem with neo and ndash;slave narratives and mdash;by which writers return to a moment of stark de jure segregation to address contemporary concerns about national identity and the persistence of racial divides. These writers upset dominant national narratives of achieved equality, portraying what are often more elusive racial divisions in what some would call a postracial present.; Norman examines works by black writers such as Lorraine Hansberry, Toni Morrison, Alice Walker, David Bradley, Wesley Brown, Suzan-Lori Parks, and Colson Whitehead, films by Spike Lee, and other cultural works that engage in debates about gender, Black Power, blackface minstrelsy, literary history, and whiteness and ethnicity. Norman also shows that multiethnic writers such as Sherman Alexie and Tom Spanbauer use Jim Crow as a reference point, extending the tradition of William Faulkner and rsquo;s representations of the segregated South and John Howard Griffin and rsquo;s notorious account of crossing the color line from white to black in his 1961 work Black Like Me. |
| Note |
Print version record. |
| Subject |
American literature -- African American authors -- History and criticism.
|
|
American literature -- 20th century -- History and criticism.
|
|
African Americans in literature.
|
|
Segregation in literature.
|
|
Race discrimination in literature.
|
|
LITERARY CRITICISM -- American -- General.
|
|
SOCIAL SCIENCE -- Ethnic Studies -- African American Studies.
|
|
African Americans in literature. (OCoLC)fst00799727
|
|
American literature. (OCoLC)fst00807113
|
|
American literature -- African American authors.
(OCoLC)fst00807114
|
|
Race discrimination in literature. (OCoLC)fst01086490
|
|
Segregation in literature. (OCoLC)fst01111233
|
| Chronological Term |
1900 - 1999
|
| Genre/Form |
Criticism, interpretation, etc. (OCoLC)fst01411635
|
|
Electronic books.
|
| Other Form: |
Print version: Norman, Brian, 1977- Neo-segregation narratives. Athens : University of Georgia Press, ©2010 9780820335964 (DLC) 2010005969 (OCoLC)529958032 |
| ISBN |
9780820337357 (electronic bk.) |
|
0820337358 (electronic bk.) |
|
