LEADER 00000nam  22003731i 4500 
001    frd00020599 
003    CtWfDGI 
005    20180302135553.0 
006    m    eo  d         
007    cr un ---anuuu 
008    180302s2015    xx     eo     000 0 eng d 
020    9781843441137|q(e-pub) 
024 3  9781843441137 
040    CtWfDGI|beng|erda|cCtWfDGI 
050  4 PN3377.5.L68 
082 04 808/.385|223 
100 1  Jacey, Helen,|d1966-|eauthor. 
245 10 Writing & Selling Romantic Comedy Screenplays /|cCraig 
       Batty. 
264  1 [Place of publication not identified] :|bOldcastle Books,
       |c[2015] 
264  4 |c©2015 
300    1 online resource (256 pages) 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
506    Access limited to subscribing institutions. 
520    The many ways that ""happy after ever"" can come about-
       case studies and analyses include Due Date, I Give it a 
       Year, Midnight in Paris, Ted, and Tamara Drewe 
       Contemporary film audiences want and need sophisticated, 
       authentic films that show how we now live and love-so what
       does this mean for the screenwriter developing a romcom? 
       And how does one write heart-warming stories for a genre 
       that is constantly evolving, from bromcom to zomcom to 
       famcom? This guide offers a fresh approach to creating 
       narratives for this ever-changing genre. Moving away from 
       rigid and limited definitions that have evo. 
588 0  Print version record. 
650  0 Romance fiction|xAuthorship. 
650  7 PERFORMING ARTS / Film & Video / Screenwriting.|2bisacsh 
700 1  Hudson, Anne,|eeditor. 
700 1  Batty, Craig,|eauthor. 
914    frd00020599