LEADER 00000cam  2200517 i 4500 
001    on1083205354 
003    OCoLC 
005    20220404213021.0 
006    m     o  d         
007    cr cnu---unuuu 
008    190123s2019    enka   fob    001 0 eng d 
015    GBB922260|2bnb 
016 7  019225411|2Uk 
019    1083286027|a1089936949|a1151195771 
020    9781350027404|q(electronic book) 
020    1350027405|q(electronic book) 
035    (OCoLC)1083205354|z(OCoLC)1083286027|z(OCoLC)1089936949
       |z(OCoLC)1151195771 
037    9781350027404|bcodeMantra 
040    N$T|beng|erda|epn|cN$T|dUKMGB|dYDX|dUKAHL|dCRU|dAMH|dEBLCP
       |dBLOOM|dOCLCQ|dOCLCO 
049    GTKE 
050  4 PR2835|b.T573 2019eb 
072  7 DRA|x003000|2bisacsh 
082 04 822.3/3|223 
245 00 Titus Andronicus :|bthe state of play /|cedited by Farah 
       Karim-Cooper. 
264  1 London :|bThe Arden Shakespeare,|c2019. 
300    1 online resource (xii, 277 pages) :|billustrations. 
336    text|btxt|2rdacontent 
337    computer|bc|2rdamedia 
338    online resource|bcr|2rdacarrier 
490 1  The Arden Shakespeare state of play series 
504    Includes bibliographical references and index. 
505 0  IntroductionPart 1: Style, Genre and Sources1. Style in 
       Titus Andronicus: New Tragedy and Elizabethan Classicism2.
       Soliloquies in Titus Andronicus: An Empirical Approach3. 
       Senecan belatedness and Titus Andronicus4. Collective and 
       Communal Memory Dismembered in Titus AndronicusPart 2: 
       Critical Approaches: Race, Culture and Politics5. 'I have 
       Done Thy Mother': Roman, Racial and Sexual Difference6. 
       Remixing the Family: Alternative Configurations in 
       Shakespeare's Titus Andronicus7. 'Rotted with delicious 
       feed': Consuming the Other and the Self in Titus 
       Andronicus8. Shakespeare Invents the Black Power 
       Speech?Part 3: Critical Approaches: Bodies, Emotions and 
       Metaphor9. Speaking for Lavinia: Shakespeare and the 
       Limits of Utterance10. Granular Reading: Surface Marks and
       the Marks and the Performing Body in Titus Andronicus11. 
       'Words more sweet and yet more dangerous': The figure of 
       the parasite in Titus AndronicusPart 4: Performance and 
       Adaptation12. Titus Andronicus and Theatrical 
       Transgression13. In/di/gestion: Seneca -->Shakespeare -->
       South Park14. Violence, Child Viewers and the Technologies
       of Theatre and Television: the BBC/Howell Titus Andronicus
       (1985)15. Titus Andronicus and the Production of Affection
       at Shakespeare's GlobeIndex. 
520    "Shakespeare's and Peele's Titus Andronicus has had a 
       theatrical and a critical revival in the last fifteen 
       years; the critical revival was perhaps prompted by 
       Jonathan Bate's Arden edition of the play and its revision
       of the traditional critical account that it is an immature
       work and overly sensationalistic with its emphasis on non-
       essential violence. Recent debates and approaches have 
       drawn closer attention to the play's classicism; re-
       defined its genre (for example the revised edition of the 
       New Dramatic Sources will re-classify the play as one of 
       Shakespeare's Roman plays); re-considered the nature of 
       violent spectacle, family relations and kinship, political
       alliance, race and miscegenation. This study will explore 
       how the revitalized critical responses to early modern and
       contemporary performance histories has had a significant 
       impact upon the wider reception of this play."--Bloomsbury
       Publishing 
588 0  Print version record. 
590    eBooks on EBSCOhost|bEBSCO eBook Public Library Collection
       (North America) 
600 10 Shakespeare, William,|d1564-1616.|tTitus Andronicus. 
630 07 Titus Andronicus (Shakespeare, William)|2fast
       |0(OCoLC)fst01356442 
650  7 DRAMA|xEnglish, Irish, Scottish, Welsh.|2bisacsh 
700 1  Karim-Cooper, Farah,|eeditor. 
776 08 |iPrint version:|tTitus Andronicus.|dLondon : The Arden 
       Shakespeare, 2019|z9781350027398|w(OCoLC)1059377935 
830  0 Arden Shakespeare state of play series. 
914    on1083205354 
994    92|bGTK