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LEADER 00000cam 2200457Ii 4500
001 ocn906878173
003 OCoLC
005 20160330030957.0
008 150408s2015 ctua b 001 0 eng d
020 0300208375
020 9780300208375
035 (OCoLC)906878173
040 YDXCP|beng|erda|cYDXCP|dBTCTA|dBDX|dERASA|dOCLCO|dOCLCF
|dYUS|dNYP|dCOO|dGZM|dVVC|dZCU|dNLGGC|dDEBSZ|dOCLCQ|dS3O
049 CKEA
050 4 ND237.C52|bR22 2015
082 04 759.13|223
100 1 Raab, Jennifer,|eauthor.
245 10 Frederic Church :|bthe art and science of detail /
|cJennifer Raab.
264 1 New Haven ;|aLondon :|bYale University Press,|c[2015]
300 xi, 236 pages :|billustrations (chiefly color) ;|c28 cm
336 text|btxt|2rdacontent
336 still image|bsti|2rdacontent
337 unmediated|bn|2rdamedia
338 volume|bnc|2rdacarrier
504 Includes bibliographical references (pages 222-228) and
index.
505 0 Introduction : seeing in detail -- The monumental image --
Science and the celestial -- Narrative luxury -- Uncertain
passages -- Details of absence -- Vertical light --
Horizon lines -- The insignificant detail.
520 A reconsideration of Church's works offering a sustained
examination of the aesthetics of detail that fundamentally
shaped 19th-century American landscape painting.
520 "Frederic Church (1826-1900), the most celebrated painter
in the United States during the mid-19th century, created
monumental landscapes of North and South America, the
Arctic, and the Middle East. These paintings were
unsurpassed in their attention to detail, yet the
significance of this pictorial approach has remained
largely unexplored. In this important reconsideration of
Church's works, Jennifer Raab offers the first sustained
examination of the aesthetics of detail that fundamentally
shaped 19th-century American landscape painting. Moving
between historical context and close readings of famous
canvases--including Niagara, The Heart of the Andes, and
The Icebergs--Raab argues that Church's art challenged an
earlier model of painting based on symbolic unity,
revealing a representation of nature with surprising
connections to scientific discourses of the time. The book
traces Church's movement away from working in oil on
canvas to shaping the physical landscape of Olana, his
self-designed estate on the Hudson River, a move that
allowed the artist to rethink scale and process while also
engaging with pressing ecological questions. Beautifully
illustrated with dramatic spreads and striking details of
Church's works, Frederic Church: The Art and Science of
Detail offers a profoundly new understanding of this
canonical artist."--|cPublisher's website.
600 10 Church, Frederic Edwin,|d1826-1900|xCriticism and
interpretation.
600 10 Church, Frederic Edwin,|d1826-1900.
600 17 Church, Frederic Edwin,|d1826-1900.|2fast
|0(OCoLC)fst01427614
648 7 1800 - 1899|2fast
648 7 1800-talet|2sao
650 0 Landscape painting, American|y19th century.
650 7 Landscape painting, American.|2fast|0(OCoLC)fst00991960
650 7 Amerikanskt landskapsmåleri|xhistoria.|2sao
655 7 Criticism, interpretation, etc.|2fast
856 41 |3Table of contents|uhttp://swbplus.bsz-bw.de/
bsz451510410inh.htm|v20151120143100
994 92|bCKE