Description |
1 online resource (xi, 382 pages) : illustrations |
Bibliography |
Includes bibliographical references (pages 325-371) and index. |
Note |
Print version record. |
Summary |
The New Art History and the Impressionist canon seem to have successfully claimed Edgar Degas as a misogynist, rabid nationalist and misanthrope whose art was both masterly and experimental. By analysing Degas's approach to space and his self-fashioning attitude towards identity within the ambiguities of the political and artistic culture of nineteenth-century France, this book questions the characterisation of Degas as a right-wing Frenchman and artist, and will change the way in which Degas ... |
Contents |
TABLE OF CONTENTS; LIST OF ILLUSTRATIONS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CHAPTER EIGHT; CHAPTER NINE; CHAPTER TEN; CONCLUSION; BIBLIOGRAPHY; INDEX |
Local Note |
eBooks on EBSCOhost EBSCO eBook Subscription MasterFILE Reference Collection |
Subject |
Degas, Edgar, 1834-1917 -- Criticism and interpretation.
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Degas, Edgar, 1834-1917. (OCoLC)fst00032029
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The arts.
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History of art -- art & design styles.
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Art & design styles: Impressionism & Post-Impressionism.
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ART -- History -- General.
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Visual Arts.
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Art, Architecture & Applied Arts.
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Painting.
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Genre/Form |
Electronic book.
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Criticism, interpretation, etc. (OCoLC)fst01411635
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Other Form: |
Print version: 9781443879330 (OCoLC)909318756 |
ISBN |
1443879339 (electronic book) |
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9781443879330 (electronic book) |
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1443874493 |
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9781443874496 |
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9781443874496 |
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